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Poets, Critics, and God-Talk

Published online by Cambridge University Press:  24 October 2008

Judith Wilt
Affiliation:
Boston College

Extract

She'd had no end of myths about immortals coming down and taking human bodies, dying human deaths. Helen knew how to interpret that scripture: if gods could do this human thing, then we could as well. That plot as the mind's brainchild, awareness explaining itself to itself.…She'd had the bit about the soul fastened to a dying animal. What she needed, in order to forgive our race and live here in peace, was faith's flip side … how body stumbled onto the stricken celestial, how it taught itself to twig time and what lay beyond time. (Powers, 319–320)

Type
Review Essays
Copyright
Copyright © Cambridge University Press 1997

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References

Works Considered

Maynard, John. Victorian Discourses on Sexuality and Religion. Cambridge: Cambridge UP, 1993.Google Scholar
Powers, Richard. Galatea 2.2. New York: Farrar, Straus Giroux, 1995.Google Scholar
Stewart, Garrett. Death Sentences: Styles of Dying in British Fiction. Cambridge: Harvard UP, 1984.Google Scholar
Stockton, Kathryn Bond. God Between Their Lips: Desire Between Women in Irigaray, Brontë and Eliot. Stanford: Stanford UP, 1994.Google Scholar
Wheeler, Michael. Death and the Future Life in Victorian Literature and Theology. Cambridge: Cambridge UP, 1990.Google Scholar