Hostname: page-component-76fb5796d-22dnz Total loading time: 0 Render date: 2024-04-28T14:54:16.230Z Has data issue: false hasContentIssue false

The Architecture of Empire: “Oriental” Gothic and the Problem of British Identity in Ruskin's Venice

Published online by Cambridge University Press:  24 October 2008

Daryl Ogden
Affiliation:
Georgia Institute of Technology

Extract

On january 13, 1858 — a few months after the eruption of the Indian Mutiny — John Ruskin addressed an audience at the South Kensington Museum in London with a lecture entitled “The Deteriorative Power of Conventional Art over Nations” (published the following year as Lecture I of The Two Paths). Commenting on the dearth of artistic talent to be found in Scotland as opposed to the artistic abundance of India, Ruskin decrees that Indians are a “race rejoicing in art, and eminently and universally endowed with the gift of it,” whereas with Scots one is faced with “a people careless of art and apparently incapable of it” (16: 262).

Type
Research Article
Copyright
Copyright © Cambridge University Press 1997

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Works Cited

Anderson, Benedict. Imagined Communities: Reflections on the Origin and Spread of Nationalism. London: Verso, 1983.Google Scholar
Bhabha, Homi. The Location of Culture. London: Routledge, 1994.Google Scholar
Bhabha, Homi. ed. Nation and Narration. London: Routledge, 1990.Google Scholar
Blau, Eve. Ruskinian Gothic: The Architecture of Deane and Woodward 1845–1861. Princeton: Princeton UP, 1982.Google Scholar
Clark, Kenneth. The Gothic Revival: An Essay in the History of Taste. New York: Scribners, 1929.Google Scholar
Eastlake, Charles L.A History of the Gothic Revival. 1872 ed. Crook, J. Mordaunt. Leicester: Leicester UP, 1970.Google Scholar
Forster, E. M.A Passage to India. 1924. San Diego: Harcourt Brace Jovanovich, 1985.Google Scholar
Harris, Thomas. “Victorian Architecture.” Privately published, 1860.Google Scholar
Hunt, John Dixon. The Wider Sea: A Life of John Ruskin. New York: Viking, 1982.Google Scholar
Leask, Nigel. British Romantic Writers and the East: Anxieties of Empire. Cambridge: Cambridge UP, 1992.Google Scholar
Leon, Derrick. Ruskin, The Great Victorian. London: Routledge, 1949.Google Scholar
McLaughlin, Elizabeth T.Ruskin and Gandhi. Cranbury NJ: Bucknell UP, 1974.Google Scholar
Pratt, Mary Louise. Imperial Eyes: Travel Writing and Transculturation. New York: Routledge, 1992.CrossRefGoogle Scholar
Pugin, A. W.Contrasts. 1836. New York: Leicester UP, 1969.Google Scholar
Rosenberg, John D.The Darkening Glass: A Portrait of Ruskin's Genius. New York: Columbia UP, 1961.CrossRefGoogle Scholar
Ruskin, John. Ruskin in Italy: Letters to his Parents, 1845. Ed. Shapiro, Harold L., Oxford: Clarendon, 1972.Google Scholar
Ruskin, John. The Works of John Ruskin. Ed. Cook, E. T. and Wedderburn, Alexander. 39 vols. London: George Allen, 19031912.Google Scholar
Said, Edward. Culture and Imperialism. New York: Knopf, 1993.Google Scholar
Said, Edward. Orientalism. New York: Pantheon, 1978.Google Scholar
Spear, Jeffrey. Dreams of an English Eden: Ruskin and His Tradition in Social Criticism. New York: Columbia UP, 1984.CrossRefGoogle Scholar
Young, Robert. Colonial Desire: Hybridity in Theory, Culture and Race. London: Routledge, 1995.Google Scholar
Young, Robert. White Mythologies: Writing History and the West. London: Routledge, 1990.Google Scholar