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Alice Meynell and the Politics of an Image: “The Climate of Smoke”

Published online by Cambridge University Press:  15 January 2024

Isobel Armstrong*
Affiliation:
Birkbeck, University of London, United Kingdom

Abstract

The collaboration of William Hyde and Alice Meynell in London Impressions (1898) led to Hyde's photogravure image, “Utilitarian London,” which is a direct critique of Turner's Rain, Steam and Speed (1844), and to a companion essay by Meynell, “The Climate of Smoke,” that is an ecological poetics exploring the deep harms of pollution.

Type
Research Article
Copyright
Copyright © The Author(s), 2024. Published by Cambridge University Press

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Footnotes

I thank MA students of the Bread Loaf School of English (2022) for discussions of Meynell's essay.

References

Works Cited

Denison, Herbert. A Treatise on Photogravure. London: Iliffe & Son, 1895.Google Scholar
Hyde, William, and Meynell, Alice. London Impressions: Etchings and Pictures in Photogravure, by William Hyde, and Essays by Alice Meynell. London, Westminster: Archibald Constable, 1898.Google Scholar
Vadillo, Ana Parejo. “The Green 1890's: World Ecology in Women's Poetry.” Forthcoming in The 1890's, edited by Friedman, Dustin and Mahoney, Kristin (Cambridge: Cambridge University Press, 2023).Google Scholar
Wakeman, Geoffrey. Victorian Book Illustration: The Technical Revolution. Newton Abbot: David and Charles, 1973.Google Scholar
Wilkinson, W. T. Photogravure. London: Iliffe and Son, 1890.Google Scholar