To approach a subject like this in a truly meaningful way, it seems to me that it is necessary first to force oneself to a humble objectivity and even to a certain detachment. This subject is too important and we are bound to it by too jealous a commitment to allow ourselves to dismiss it with pat solutions or lyrical effusions. It is necessary to examine it with a dispassionate eye instead of imagining what we would like it to be. The point is to understand to what extent the movement which is drawing the theatre towards religious, Christian themes is authentic.