The work of Peter Stein is so integrated with the work of the Schaubühne am Halleschen Ufer that an analysis of his individual style or method as a director is almost impossible. Even in speaking of “forms,” one must see how Stein has applied his creative energy at a very fundamental level—striving to create the proper conditions that would then, through the work process, give rise to new “forms,” as well as new content and style. However, a description of the development and results of the most recent project directed by Stein at the Schaubühne, together with an analysis of certain attributes that this project has in common with earlier work, may reveal a pattern definable as Peter Stein's own theatre practice.