Nikolai Foregger (1892-1939), christened Nicholas Baron Foregger von Greiffenturn, the sole descendant of an aristocratic Russo-German family, was one of the most extreme exponents of mechanization and abstraction in the Soviet theatre and dance during its first decade. Foregger belonged to that unique generation of Russian writers, artists, directors, and dance-masters who, born in the 1890's, quickly reached their artistic maturity in the early Twenties. Writers and artists like Mayakovsky, Sergei Tretyakov, Isaac Babel, Varvara Stepanova, and Alexander Rodchenko are among the best known of that era. In the fields of theatre and dance, there were Foregger Eisenstein, Sergei Radlov, Boris Tikhonovich, Boris Ferdinandov, the FEKS group Vera Maya, and Kasyan Goleizovsky. Together, despite acknowledged differences in motivation and style, these young artists accepted the critical appellative Constructivist to describe their art.

With the exception of Eisenstein (see T61) and Meyerhold, who was judged according to other standards, the scenic work of the Constructivists is not well known although at the time of the Constructivist period (1920-1924), many of their productions and techniques were considered more radical than Meyerhold's and in fact prefigured many of his own post-revolutionary innovations, such as Biomechanics and mobile decor.