The invitation to see Bye Bye Blacksheep came privately. It was the summer of 1976 and Jamie Leo, then a member of Iowa Theatre Lab, invited me to view a short piece he had written and directed for actor Mark Bronnenberg. The performance was private, not in the sense of excluding the public, but in that the audience was limited to one observer.

The invitation came at the last moment—I was to be there in 20 minutes—an action that belied the elaborate timing and logistical complexity of the performance. I arrived at the large, old apartment house and waited in Jamie's living room until he came in, blindfolded me with a black silk scarf, and led me into the corridor. As he carefully guided me down the long passage, he gave me the following information and directions: