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DARMSTADT'S NEW WAVE MODERNISM

Published online by Cambridge University Press:  02 January 2015

Celeste Oram
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Extract

This year's Darmstadt Summer Courses for New Music were plugged-in, wired-up, mixed-down, line-out. Scarcely a main-stage concert wasn't amplified, at the very least. More often, new works synthesised spatialised sound design, video material, lighting and electronics in high-tech, high-concept performances.

Type
FORUM: DARMSTADT 2014
Information
Tempo , Volume 69 , Issue 271 , January 2015 , pp. 57 - 65
Copyright
Copyright © Cambridge University Press 2015 

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References

1 Heidegger, Martin, The Question Concerning Technology, trans. Lovitt, William (New York: Harper Torchbooks, 1982), p. 4Google Scholar.

2 Mackenzie Wark, ‘Where next for media theory?’, Public Seminar, http://bit.ly/1kLnMJ0, accessed 27 August 2014.

3 Wark, ‘Where next?’

4 Wark, ‘Where next?’

5 A video of the Nadar Ensemble performing Generation Kill is viewable at http://youtu.be/P0zAplC4pk8, accessed 21 September 2014.

6 Stefan Prins, interview with the author, 9 August 2014.

7 Rosa Menkman, ‘Glitch Studies Manifesto’, Sunshine in My Throat, http://rosa-menkman.blogspot.com/2010/02/glitch-studies-manifesto.html, accessed 27 August 2014.

8 Menkman, ‘Glitch Studies Manifesto’.

9 Temkin, Daniel, ‘Glitch && Human/Computer Interaction’, NooArt: The Journal of Objectless Art, 1.1 (2014)Google Scholar, http://nooart.org/post/73353953758/temkin-glitchhumancomputerinteraction, accessed 27 August 2014.

10 Audio of this debate is available at https://voicerepublic.com/venues/darmstadt-forum/talks/ii-the-concert-of-the-future-is-online, accessed 2 September 2014.

11 Moritz Eggert, ‘Das Verschwinden des Mediums und seine Hinterfragung’, Bad Blog of Musick, http://blogs.nmz.de/badblog/2014/03/31/das-verschwinden-des-mediums-und-seine-hinterfragung, accessed 27 August 2014.

12 ‘We are slowly reaching a state in which the medium, as something perceptible, is disappearing, because everything is one and the same medium’. [original italics]

13 Available at http://youtu.be/kN2B-78t9RY, accessed 21 September 2014.

14 Kreidler earns no income from his YouTube channel.

15 Available at http://youtu.be/-yzOFYSe888, accessed 21 September 2014.

16 Johannes Kreidler, interview with the author, 7 August 2014.

17 McHugh, Gene, Post-Internet: Notes on the Internet and Art (Brescia: LINK Editions, 2011)Google Scholar.

18 Artie Vierkant, ‘The Image Object Post-Internet’, http://jstchillin.org/artie/pdf/The_Image_Object_Post-Internet_a4.pdf, accessed 27 August 2014.

19 Audio of this debate is available at https://voicerepublic.com/venues/lectures/talks/music-in-the-extended-field, accessed 2 September 2014.

20 Artie Vierkant, ‘The Image Object Post-Internet’.