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Crosscurrents: American and European Music in Interaction, 1900–2000 edited by Felix Meyer, Carol J. Oja, Wolfgang Rathert and Anne C. Shreffler. A publication by the Paul Sacher Foundation. Boydell and Brewer, 2014. £40.00
Published online by Cambridge University Press: 04 September 2014
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References
1 Much of the work on transnationalism has so far come from historians. In particular, see Körner, Axel, Miller, Nicola and Smith, Adam, eds, America Imagined: Explaining the United States in Nineteenth-Century Europe and Latin America (New York: Palgrave Macmillan, 2012)CrossRefGoogle Scholar and Janz, Oliver and Riall, Lucy, eds, Special Issue: ‘The Italian Risorgimento: Transnational Perspectives’, Modern Italy 19/1 (February 2014)Google Scholar.
2 See, for example, the new journal Migration Studies (Oxford: Oxford University Press, 2013)Google ScholarPubMed, and Gold, Steven J. and Nawyn, Stephanie J., eds, The Routledge International Handbook of Migration Studies (New York: Routledge, 2013)Google Scholar.
3 This is the subject of the roundtable ‘Modernism and its Others’, in the latest issue of the Journal of the Royal Musical Association 139/1 (Spring 2014)Google Scholar.