¹ Edited by Willi Reich, Vienna: Universal Edition 1960. English translation by Leo Black, Pennsylvania: Theodore Presser Co. 1963, assigned to Universal Edition Publishing Inc., New Jersey, 1975.

² In many 8-bar sentences, the liquidation or development consists of two one-bar segments, often sequential, and the last two bars solidify again into a single, sometimes recapitulatory, phrase. Schoenberg, Webern and the other pedagogically-inclined members of the Schoenberg circle preferred, however, to regard the process of development as continuing to the end of the sentence.

³ The web-site that contains the whole of Searle's recollections given in Note 15 on p.25 has changed. It is now <www.filmmusic.uk.net/searle/titlepg.htm>.

⁴ In Note 86 on p.44, Regina Busch's important essay ‘Über die horizontale und vertikale Darstellung misikalischer Gedanken und den musikalischen Raum’ is mentioned. It may be worth mentioning, for the benefit of English readers, that this was published in a translation by the present reviewer, together with an afterword, in Tempo 154, 156 and 151.

⁵ Ratz, Erwin: Einfühntng in die Musikalische Fonnenlehre [Introduction to the Theory of Form]. 1st edition: Vienna, Österreichischer Bundesverlag, 1951Google Scholar; 2nd edition: Vienna, Universal Edition, 1968; 3rd edition: Vienna, Universal Edition, 1973. Boynton's page references apply to the 3rd edition, though on p.79 (Note 197) the first edition is mentioned. Lesser-known writings of this important analyst and musicologist are also cited.

⁶ Edited by Gerald Strang and Leonard Stein, London: Faber and Faber Ltd., 1967/1970.