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Hans Gál et al. - HANS GÁL: Symphony No. 4 (Sinfonia concertante), op. 105. SCHUMANN: Symphony No. 2 in C, op.61. Orchestra of the Swan, c. Kenneth Woods. Avie AV2231. - GÁL: Cello Concerto, op. 67. ELGAR: Cello Concerto in E minor, op. 85. Antonio Meneses (vlc), Northern Sinfonia, c. Claudio Cruz. Avie AV2237. - GÁL: Serenade in D, op. 41; Trio in F sharp minor, op. 104. HANS KRÁSA: Tanec (Dance); Passacaglia and Fuga. Ensemble Epomeo. Avie AV2259. - GÁL: Music for Solo Cello – Sonata for Violoncello Solo, op. 109a; Suite for Violoncello Solo, op. 109b; Sonata for Violoncello and Pianoforte, op. 89. Alfia Nakipbekova (vlc), Jakob Fichert (pno). Toccata Classics TOCC 0043.

Published online by Cambridge University Press:  12 July 2013

Paul Conway
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Type
CD and DVD Reviews
Information
Tempo , Volume 67 , Issue 265 , July 2013 , pp. 101 - 105
Copyright
Copyright © Cambridge University Press 2013 

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References

1 The effect is rather like a varied, inverted version of the memorable descending passionato theme in the strings at the beginning of the first movement of Brahms' Third Symphony, itself arguably inspired by the opening motif of Schumann's Third Symphony in a varied appearance in that work's first movement.

2 In a review of Wilhelm Waldstein's biography of Gál, Hans Redlich refers to the composer's buffo operas as ‘his great achievement’ (The Musical Times, 107 (1966), p. 35).

3 Oliver, , ‘Hans Gál at 95’, Tempo No. 155 (December 1985), p.4CrossRefGoogle Scholar.