Hostname: page-component-84b7d79bbc-l82ql Total loading time: 0 Render date: 2024-07-29T16:18:19.670Z Has data issue: false hasContentIssue false

First Performances

Published online by Cambridge University Press:  04 February 2010

Abstract

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
First Performances
Copyright
Copyright © Cambridge University Press 1974

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 The Gloria Tibl Trinitas setting and the Te Deum, from the Mulliner Book.

2 cf. Smalley's, Roger article ‘Momente—material for listener and composer’ in The Musical Times, 01 1974 Google Scholar, (to be continued in a later issue), for a fuller discussion of Moment Form.

3 E. Krenek: Studies in Counterpoint (Schirmer).

4 Programme note, first London performance.

5 Mao Tse Tung: Talks at the Yenan Forum on Literature and Art (May 1942). In Quotations from Chairman Mao Tse Tung (The Little Red Book).

6 In The Film Sense (London: Faber & Faber, 1943)Google ScholarPubMed.

7 For Tim Souster's discussion of this in relation to film, see Footnote 9.

8 Suggested by the composer in the programme note.

9 ‘Electronic Music—Transformation and After’ (In Short, Radio 3 talk)

10 First performed at a Roundhouse Concert on 11 March

11 Summarised in Womer's, K. Stockhausen—Life and Work, pp. 109110. (Faber and Faber, 1973)Google Scholar.