2 It is also included in the word-book, A COLLECTION OF ALL THE ANTHEMS Daily us'd in Divine Service, throughout the Year, in KING'S COLL. CHAPPEL IN CAMBRIDGE… (1706). The full title is given in Lionel Pike, ‘Purcell's Rejoice in the Lord, All Ways’, Music and Letters, 82 (2001), 420, footnote 34.Google Scholar

3 See Pike, ‘Purcell's Rejoice in the Lord, All Ways’.Google Scholar

4 See Robert Shay and Robert Thompson, Purcell Manuscripts: The Prinicpal Musical Sources (Cambridge, 2000), 126–39.Google Scholar

5 See Shay and Thompson, Purcell Manuscripts, 142–3.Google Scholar

6 In Lionel Pike ed., The Works of Henry Purcell, Vol 14, Sacred Music Part II: Nine Anthems with Orchestral Accompaniment, Purcell Society (forthcoming). Bar numbers quoted in the present article all refer to that edition, whether ‘symphony’ or verse anthem type is being discussed.Google Scholar

7 Francis Sandford, History of the Coronation of James II (London, 1687).Google Scholar

8 Moreover, the Westminster Abbey (Lwa Triforium set 1) and Chapel Royal (Lbl MSS R.M. 27.a.l–6) partbooks, the very books that one might expect to have been used for the coronation, show no sign of the inclusion of strings. Many of the sources contain arrangements of the piece for use when strings were not available, so it is not absolutely impossible that the version with organ was sung at the coronation; but the piece was not written specially for that occasion, as the indices of Cfm MS 117 give the date as ‘1683‘.Google Scholar

9 Bruce Wood, ‘A Coronation Anthem - Lost and Found’, Musical Times, 118 (1977), 466–8.Google Scholar

10 Richard Charteris, ‘A Checklist of the Manuscript Sources of Henry Purcell's Music in the University of California William Andrews Clark Memorial Library, Los Angeles’, Notes, 52 (1995), 407–8.Google Scholar

11 Franklin B. Zimmerman, Henry Purcell 1659–1695: An Analytical Catalogue of his Music (London, 1963), 467; but see Shay and Thompson, Purcell Manuscripts, 135.Google Scholar

12 A canon of Worcester Cathedral.Google Scholar

13 Zimmerman, Analytical Catalogue, 471.Google Scholar

14 See Crosby, Brian, A Catalogue of Durham Cathedral Music Manuscripts (Oxford, 1986), 22–3.Google Scholar

15 Barry Cooper, ‘Hereford Keyboard Sources’, Research Chronicle, 16 (1980), 135–6. The reference is to Walsh's first collection of Volentarys & fugues made on purpose for the organ or harpsichord (London, 1791).Google Scholar

16 Benjamin Lamb (d. 1733) was organist at Eton and acting Master of the Choristers at Windsor.Google Scholar

17 James Kent, 1700–76, was organist of Winchester Cathedral, and helped William Boyce in the compilation of Cathedral Music.Google Scholar

18 Charteris, ‘Checklist of the Manuscript Sources of Henry Purcell's Music’, 410.Google Scholar

19 Zimmerman, Analytical Catalogue, 456.Google Scholar

20 I am unable to say whether this reflects on the character of the singers or on the pitch of the organ at Windsor.Google Scholar

21 See Shaw, HaroldWatkins, ‘A Contemporary Source of English Music of the Purcellian Period’, Acta Musicologica, 31 (1959), 38–14.CrossRefGoogle Scholar

22 Shay and Thompson, Purcell Manuscripts, 185 and 187.Google Scholar

23 In a personal communication to the author.Google Scholar

24 Watkins Shaw, The Bing-Gostling Part-books at York Minster. A Catalogue with Introduction (Croydon, 1986), 8.Google Scholar

25 See also the comments in Pike, ‘Purcell's Rejoice in the Lord, All Ways’., 415–16.Google Scholar

26 Ian Spink, Restoration Cathedral Music 1660–1714 (Oxford, 1995), 207.Google Scholar

27 Ibid., 207.Google Scholar

28 Ibid., 208.Google Scholar

29 Information kindly supplied by Kerry Dexter.Google Scholar

30 Shay and Thompson, Purcell Manuscripts, 150.Google Scholar

31 Spink, Restoration Cathedral Music, 221.Google Scholar

32 Comments kindly provided by Robert Thompson. See also Barra Boydell ed., Music at Christ Church Before 1800: Documents and Selected Anthems (Dublin, 1999), 146; also Shay and Thompson, Purcell Manuscripts, 158.Google Scholar

33 See Pike, ‘Purcell's Rejoice in the Lord, All Ways’, 409.Google Scholar

34 Peter Galloway, The Cathedrals of Ireland, The Institute of Irish Studies (Belfast, 1992), 82–3.Google Scholar

35 Grindle, W.H., Irish Cathedral Music, The Institute of Irish Studies (Belfast 1989), 94.Google Scholar

36 I owe the suggestion to Kerry Houston; see also Pike, ‘Purcell's Rejoice in the Lord, All Ways’. 410.Google Scholar

37 Boydell ed., Music at Christ Church, 266.Google Scholar

38 See Pike, Lionel, 'Alternative Versions of Purcell's Praise the Lord, O my Soul: O Lord my God, Irish Musical Studies 5, ed. Patrick Devine and Harry White (Dublin, 1996), 272–80.Google Scholar

39 Charteris, ‘Checklist of the Manuscript Sources of Henry Purcell's Music’, 419–20.Google Scholar