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Daniel Heartz. Pierre Attaingnant, Royal Printer of Music: A Historical Study and Bibliographical Catalogue. Berkeley and Los Angeles: University of California Press, 1970. xix+451 pp. 16 pls. $25.

Published online by Cambridge University Press:  20 November 2018

Lawrence F. Bernstein
Lawrence F. Bernstein*
Affiliation:
University of Pennsylvania
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Type
Reviews
Information
Renaissance Quarterly , Volume 24 , Issue 2 , Summer 1971 , pp. 248 - 253
Copyright
Copyright © Renaissance Society of America 1971

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References

1 Pogue, Samuel, Jacques Moderne, Lyons Music Printer of the Sixteenth Century (Geneva, 1969).Google Scholar

2 Francois Lesure and Genevieve Thibault, ‘Bibliographie des editions musicales pupliees par Nicolas du Chemin (1549-1576), 'Annates musicologiques, I (1953), 269-373; Ist Supplement, IV (1956), 251-253; 2nd Supplement, vi (1958-1963), 403-406.

3 Idem, Bibliographie des editions d'Adrian le Roy et Robert Ballard (1551-1598) (Paris, 1955); Supplement in Revue de musicologie, 39 (1957), 166-172.

4 Meissner, Ute, Der antwerpener Notendrucker Tylman Susato, Bd. 11 of the Berliner Studien zur Musikwissenschaft (Berlin, 1967).Google Scholar

5 Piel, Walter, Studien zum Leben und Schaffen Hubert Waelrants unter besonder Beriicksichtigung seiner Motetten, Bd. 3 of the Marburger Beitrage zur Musikforschung (Marburg, 1969).Google Scholar

6 Several more of the chansons listed on the first few pages of the index of secular pieces appear in the publications of Jacques Moderne bearing attributions different from those in Attaingnant's prints. Mr. Heartz has cited these conflicting ascriptions in the historical portion of his study but has not, unfortunately, carried them over into the catalogue.