Hostname: page-component-77c89778f8-5wvtr Total loading time: 0 Render date: 2024-07-22T05:25:00.290Z Has data issue: false hasContentIssue false
  • English
  • Français

The Recorder and its Music

Published online by Cambridge University Press:  01 January 1948

Edgar Hunt
Get access

Extract

When I speak of the recorder as a musical instrument, I do so knowing that you cannot fail to have heard the instrument at some time, as it is now once again an integral part of our musical life.

Type
Research Article
Information
Proceedings of the Royal Musical Association , Volume 75 , 1948 , pp. 39 - 51
Copyright
Copyright © Royal Musical Association, 1948

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 Proceedings of the Musical Association 1902, Vol. XXVIII, p. 113.Google Scholar

2 Galpin: Old English Instruments of Music, pp. 139 and 140.Google Scholar

3 Virdung: Musica Getutscht (1511), Agricola: Musica instrumentalis deudsch (1528) and Ganassi: Opera Intitulata Fontegara (1535).Google Scholar

4 Galpin: Old English Instruments of Music, Plate 29.Google Scholar

5 Praetorius: Theatrum Instrumentorum from Syntagma Musicum.Google Scholar

6 British Museum Harl. 1419, f. 202 and 203.Google Scholar

7 The Present State of Music in Germany, the Netherlands, and United Provinces, 1773, Vol. I, p. 41.Google Scholar

8 Proceedings of the Royal Musical Association, November 1947.Google Scholar

9 Published by Schott and Co. Ltd., London 1948.Google Scholar

10 Mersenne: Harmonie Universelle (1636).Google Scholar

11 Luscinius: Musurgia seu praxis Musicae (1536).Google Scholar

12 British Museum Royal MS., 18. D. II.Google Scholar

13 Hamlet III, ii.Google Scholar

14 Francis Bacon: National Philosophy, Century II, 170 and Century III, 230 (1627).Google Scholar

15 National Philosophy, Century II, 278.Google Scholar

16 Proceedings of the Musical Association, Vol. 27, p.117.Google Scholar

17 Hotteterre: Principes de la Flûte Traversiere … de la Flûte à bec ou Flûte Douce … (1707).Google Scholar

18 Majer: Neu-eröffneter … Musik-Saal (1732 and 1741).Google Scholar

19 Tans'ur: A New Musical Grammar (1746), and The Elements of Musick Display'd (1762).Google Scholar

20 e.g., Church Cantata, 106.Google Scholar

21 e.g., Church Cantata, 152.Google Scholar

22 G clef on the bottom line.Google Scholar

23 The idea has been tried again by some German editors in recent times, but has been dropped.Google Scholar

24 Both published in 1935: A Practical Method for the Recorder, (Hunt & Donington, Oxford Press) and A Concise Tutor for use in Schools, (Boosey).Google Scholar