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Spanish Music

Published online by Cambridge University Press:  01 January 2020

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Extract

The Gaceta Musical de Madrid published, thirty years ago, in its number of March 18, a quotation from M. Adrian de la Fage, in which he says : “How numerous are the difficulties and how obscure is the history of music, and how many points remain yet to be cleared up ! … A proof of this is the almost complete ignorance which we are in concerning the ancient school of Spanish music before Palestrina.'

Type
Research Article
Copyright
Copyright © Royal Musical Association, 1906

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References

1 Chants or praises of our Lady.Google Scholar

2 Gallego = Galician, or Portuguese.Google Scholar

1 A work on the proper use of instruments.Google Scholar

2 A Treatise on Music, or Music made Practical.Google Scholar

3 Verses made in praise of the Constable.Google Scholar

1 The shepherds jumped about and danced with joy, whilst the little angels played their instruments.Google Scholar

1 The “entremeses” were very short pieces containing music and dancing, which filled up lengthy “entr'actes”—“a sort of crutches that were given to the heavy comedias to keep them from falling.”Google Scholar

1 “Vihuela” is more or less a genéric term; but “Vihuela de mano” would here seem to mean a guitar; “vihuela de arco,” a kind of violin. Rabel, a form of Eastern “rabab.” “Orlos,” a sort of Roman “lituus.” The “bajoncillo” and “bajon” belong to the bassoon family.Google Scholar