Bersani, Leo. A Future for Astyanax: Character and Desire in Literature. Marion Boyars, 1978.Google Scholar

Blanchot, Maurice. L'instant de ma mort. Gallimard, 1994.Google Scholar

Bohn, Willard. “Revisiting the Surrealist Image.” Romance Quarterly, vol. 66, no. 2, 2019, pp. 91–106.Google Scholar

Brancky, Anne. The Crimes of Marguerite Duras: Literature and Media in Twentieth-Century France. Cambridge UP, 2020.Google Scholar

Breton, André. Manifestes du surréalisme. Gallimard, 1985.Google Scholar

Breton, André. Manifestoes of Surrealism. Translated by Seaver, Richard and Lane, Helen R., U of Michigan P, 1969.Google Scholar

Breton, André. “Préface aux Œuvres complètes de Lautréamont.” 1938. Lautréamont, Œuvres, pp. 425–27.Google Scholar

Camerato, Tim. “Dartmouth Parent Sues over Tuition Rate for Online Classes.” Valley News, 1 June 2020, vnews.com/Dartmouth-sued-over-tuition-online-learning-34558123.Google Scholar

Césaire, Aimé. Discours sur le colonialisme. 1950. Présence Africaine, 1970.Google Scholar

Césaire, Aimé. Discourse on Colonialism. Translated by Pinkham, Joan, Monthly Review Press, 1972.Google Scholar

Césaire, Aimé. “Isidore Ducasse, comte de Lautréamont: La poésie de Lautréamont, belle comme un décret d'expropriation.” 1943. Lautréamont, Œuvres complètes, pp. 428–33.Google Scholar

Davis, Lydia. “Some Notes on Translation and on Madame Bovary.” Paris Review, no. 198, 2011, theparisreview.org/letters-essays/6109/some-notes-on-translation-and-on-madame-bovary-lydia-davis.Google Scholar

Eribon, Didier. Retour à Reims. Flammarion, 2018.Google Scholar

Gabbert, Elisa. “Poems from the Storm.” The New York Review of Books, vol. 67, no. 9, 28 May 2020, pp. 30–31.Google Scholar

Garner, Dwight. “A Raging Pandemic Inspires Poetry with Little Bite.” The New York Times, 14 Dec. 2020, nytimes.com/2020/12/14/books/review-together-in-sudden-strangeness-pandemic-poetry-alice-quinn.html.Google Scholar

Gleize, Jean-Marie. Poésie et figuration. Seuil, 1983.Google Scholar

Guitard, Bruno. “Tendresse de Lautréamont.” Europe, nos. 700–01, 1987, pp. 68–77.Google Scholar

Hanlon, Philip J. “Two University Heads on Their Survival Strategies.” “What Is College without the Campus? This Crisis Will Reshape Higher Education—and Not Just This Fall,” by Brock Colyar et al., New York Magazine, 11 May 2020, nymag.com/intelligencer/2020/05/what-is-college-without-the-campus.html.Google Scholar

Khatibi, Abdelkébir. L'aimance et l'invention d'un idiome. Œuvres de Abdelkébir Khatibi II: Poésie de l'aimance, Différence, 2008, pp. 123–45.Google Scholar

Kreps, Daniel. “‘SNL’: Jim Carrey's Joe Biden Declares Victory over ‘Loser’ Trump.” Rolling Stone, 8 Nov. 2020, rollingstone.com/tv/tv-news/snl-jim-carrey-joe-biden-victory-loser-trump-1087352/.Google Scholar

Lahut, Jake. “Biden Says ‘It's Hard to Get a Word in with This Clown’ after Trump Interrupts Him.” Business Insider, 20 Sept. 2020, businessinsider.com/biden-hard-to-get-a-word-in-with-this-clown-2020-9.Google Scholar

Larsen, Neil. “Toward a Profane Postcolonialism.” Diaspora, vol. 8, no. 2, 1999, pp. 173–84.Google Scholar

Lautréamont, Comte de. Les chants de Maldoror par le Comte de Lautréamont. Albert Lacroix, 1869.Google Scholar

Lautréamont, Comte de. Maldoror and Poems. Translated by Knight, Paul, Penguin, 1978.Google Scholar

Lautréamont, Comte de. Maldoror and the Complete Works of the Comte de Lautréamont. 1970. Translated by Lykiard, Alexis, Exact Change, 2011.Google Scholar

Lautréamont, Comte de. Maldoror (Les chants de Maldoror): Together with a Translation of Lautréamont's Poésies. 1943. Translated by Wernham, Guy, New Directions, 1965.Google Scholar

Lautréamont, Comte de. Œuvres complètes. Edited by Steinmetz, Jean-Luc, Gallimard, 2009.Google Scholar

Lautréamont, Comte de. Poésies I. Librairie Gabrie, 1870.Google Scholar

Lerner, Ben. The Hatred of Poetry. Fitzcarraldo, 2016.Google Scholar

Lerner, Ben. “Trump Wants to Protect the Numbers, Not the COVID-19 Patients They Represent: ‘I Like the Numbers Being Where They Are,’ the President Said.” The New Yorker, 6 Apr. 2020, newyorker.com/magazine/2020/04/13/trumps-numbers.Google Scholar

Lionnet, Françoise. “‘The Indies’: Baudelaire's Colonial World.” PMLA, vol. 123, no. 3, May 2008, pp. 723–36.Google Scholar

Mallarmé, Stéphane. “Crise de vers.” 1897. Œuvres complètes, vol. 2, edited by Marchal, Bertrand, Gallimard, 2003, pp. 204–13.Google Scholar

Mallarmé, Stéphane. “Crisis of Verse.” Divagations: The Author's 1897 Arrangement together with Autobiography and Music and Letters, translated by Johnson, Barbara, Belknap, 2007, pp. 199–211.Google Scholar

Mallarmé, Stéphane. “Le mystère dans les lettres.” 1897. Œuvres complètes, vol. 2, edited by Marchal, Bertrand, Gallimard, 2003, pp. 229–34.Google Scholar

Mallarmé, Stéphane. “The Mystery in Letters.” Divagations: The Author's 1897 Arrangement together with “Autobiography” and “Music and Letters.” Translated by Johnson, Barbara, Belknap, 2007, pp. 231–36.Google Scholar

Metallica. “Fade to Black.” Ride the Lightning, Blackened Recordings, 1984.Google Scholar

Metallica. “Fight Fire with Fire.” Ride the Lightning, Blackened Recordings, 1984.Google Scholar

Miller, J. Hillis. “The Critic as Host.” Critical Inquiry, vol. 3, no. 3, 1977, pp. 439–47.CrossRefGoogle Scholar

Nealon, Christopher. The Shore. Wave, 2020.Google Scholar

Ngai, Sianne. Our Aesthetic Categories: Zany, Cute, Interesting. Harvard UP, 2015.Google Scholar

070 Shake. Modus Vivendi. Getting Out Our Dreams / Def Jam Recordings, 2020.Google Scholar

Oppen, George. “Image of the Engine.” 1962. New Collected Poems, edited by Davidson, Michael, New Directions, 2008, pp. 40–43.Google Scholar

Perrone-Moisés, Leyla, and Monegal, Emir Rodríguez. Lautréamont: L'identité culturelle: Double culture et bilinguisme chez Isidore Ducasse. L'Harmattan, 2002.Google Scholar

The Pharcyde. Bizarre Ride II the Pharcyde. The Bicycle Music Company, 1992.Google Scholar

Ramazani, Jahan. Poetry and Its Others: News, Prayer, Song, and the Dialogue of Genres. U of Chicago P, 2014.Google Scholar

Reverdy, Pierre. “L'image.” Nord-Sud, no. 13, 1918, pp. 1–2.Google Scholar

Reznikoff, Charles. Testimony: The United States (1885–1915), Recitative. Black Sparrow, 2015.Google Scholar

Rosello, Mireille. Declining the Stereotype: Ethnicity and Representation in French Cultures. UP of New England, 1998.Google Scholar

Sartre, Jean-Paul. “Introduction by Jean-Paul Sartre.” Translated by Hoey, Lawrence. Colonizer and Colonized, by Memmi, Albert, translated by Greenfeld, Howard, Earthscan, 2010, pp. 17–25.Google Scholar

Sartre, Jean-Paul. “Préface de Jean-Paul Sartre.” Portrait du colonisé précédé de Portrait du colonisateur, by Memmi, Albert. 1957. Gallimard, 1985, pp. 23–29.Google Scholar

Serres, Michel. Genèse. Grasset, 1982.Google Scholar

Serres, Michel. Genesis. Translated by James, Genevieve and Nielson, James, U of Michigan P, 1997.Google Scholar

Steinmetz, Jean-Luc. Preface. Lautréamont, Œuvres complètes, pp. ix–xl.Google Scholar

Talbayev, Edwige Tamalet. “Abdelkébir Khatibi's Mediterranean Idiom.” Abdelkébir Khatibi: Postcolonialism, Transnationalism, and Culture in the Maghreb and Beyond, edited by Hiddleston, Jane and Lyamlahy, Khalid, Liverpool UP, 2020, pp. 89–109.Google Scholar

“Trending: ‘Schadenfreude.’ Lookups Spiked 35,000% on October 2, 2020.” Merriam-Webster, merriam-webster.com/news-trend-watch/schadenfreude-20201002.Google Scholar

Waldrop, Keith. Introduction. The Flowers of Evil, by Baudelaire, Charles, translated by Waldrop, Wesleyan UP, 2006, pp. xi–xxvii.Google Scholar

The Weeknd. In Your Eyes (feat. Kenny G)—Remix. The Weeknd XO, 2020.Google Scholar

Wolfe, Jonathan, and Pasick, Adam. “Dr. Fauci Sees ‘Terribly Painful Months’ Ahead.” The New York Times, 20 Nov. 2020, nytimes.com/2020/11/20/us/coronavirus-today.html.Google Scholar

Zukofsky, Louis. “‘A’–18.” Poetry, vol. 110, no. 5, 1967, pp. 281–303.Google Scholar