Hostname: page-component-7479d7b7d-qlrfm Total loading time: 0 Render date: 2024-07-12T00:24:42.007Z Has data issue: false hasContentIssue false

The Madwoman on the Third Story: Jane Eyre in Space

Published online by Cambridge University Press:  23 October 2020

Abstract

A long-standing misreading of Jane Eyre is that Rochester's wife, Bertha Mason, is locked in the attic of Thornfield Hall. In fact, she resides on the third floor. This mistake has implications for readings of the novel and for recent critical methodologies such as “surface,” “denotative,” and “dialectical” reading strategies. Jane Eyre associates the spaces of Thornfield with psychological registers that are in turn associated with types of meaning making. This essay delineates these registers by mapping them onto the Lacanian schema of imaginary, symbolic, and real orders, thus drawing out the novel's engagement with a nascent nineteenth-century depth psychology while noting how the novel itself militates against so-called surface reading.

Type
Research Article
Copyright
Copyright © Modern Language Association of America, 2016

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Works Cited

Allott, Miria M., ed. The Brontës: The Critical Heritage. London: Routledge, 1974. Print.Google Scholar
Bachelard, Gaston. The Poetics of Space. Trans. Jolas, Maria. Boston: Beacon, 1994. Print.Google Scholar
Bain, Alexander. “The Retentive Power of the Mind in Its Bearing on Education.” Fortnightly Review ns 4 (1868): 237–49. Print.Google Scholar
Best, Stephen, and Marcus, Sharon. “Surface Reading: An Introduction.” The Way We Read Now. Ed. Best and Marcus. Spec. issue of Representations 108.1 (2009): 121. Print.CrossRefGoogle Scholar
Bewell, Alan. “Jane Eyre and Victorian Medical Geography.” ELH 63 (1996): 773808. Print.CrossRefGoogle Scholar
Bodenheimer, Rosemarie. “Jane Eyre in Search of Her Story.” Papers on Language and Literature 16 (1989): 387402. Print.Google Scholar
Brontë, Charlotte. Jane Eyre. Ed. Dunn, Richard J. 3rd ed. New York: Norton, 2001. Print. Norton Critical Eds.Google Scholar
Brontë, CharlotteTo Ellen Nussey.” 28 Jan. 1847. Letter 214 of The Brontës: Life and Letters. Ed. Shorter, Clement. London: Hodder, 1908. 344–45. Internet Archive. Web. 10 Dec. 2012.Google Scholar
Carpenter, William B. Principles of Mental Physiology. 1874. New York: Appleton, 1883. Print.Google Scholar
Chase, Karen. Eros and Psyche: The Representation of Personality in Charlotte Brontë, Charles Dickens, and George Eliot. New York: Methuen, 1984. Print.Google Scholar
Chen, Chih-Ping. “‘Am I a Monster?‘ Jane Eyre among the Shadows of Freaks.” Studies in the Novel 34 (2002): 367–84. Print.Google Scholar
Chi, Hsin Ying. Artist and Attic: A Study of Poetic Space in Nineteenth-Century Women's Writing. New York: UP of Amer., 1999. Print.Google Scholar
Dale, Peter Allan. “Charlotte Brontë's ‘Tale Half-Told’: The Disruption of Narrative Structure in Jane Eyre.Modern Language Quarterly 47.2 (1986): 108–29. Print.Google Scholar
Dames, Nicholas. Amnesiac Selves: Nostalgia, Forgetting, and British Fiction, 1810-1870. Oxford: Oxford UP, 2001. Print.Google Scholar
An Essay on Garrets.” New-England Magazine 4 (1833): 399406. Print.Google Scholar
Freedgood, Elaine, and Schmitt, Cannon. “Denotatively, Technically, Literally.” Denotatively, Technically, Literally. Ed. Freedgood and Schmitt. Spec. issue of Representations 125.1 (2014): 114. Print.CrossRefGoogle Scholar
From an Unsigned Review, Atlas.” Allott 67-69.Google Scholar
From an Unsigned Review, Era.” Allott 78-80.Google Scholar
Gettelman, Debra. “‘Making Out’ Jane Eyre.ELH 74 (2007): 557–81. Print.CrossRefGoogle Scholar
Hennelly, Mark M. Jr. “‘In a State Between’: A Reading of Liminality in Jane Eyre.Victorian Literature and Culture 22 (1994): 103–27. Print.CrossRefGoogle Scholar
Kucich, John. Repression in Victorian Fiction: Charlotte Brontë, George Eliot, and Charles Dickens. Berkeley: U of California P, 1987. Print.Google Scholar
Lerner, Laurence. “Bertha and the Critics.” Nineteenth-Century Literature 44 (1989): 273300. Print.CrossRefGoogle Scholar
Lesjak, Carolyn. “Reading Dialectically.” Criticism 55.2 (2013): 233–77. Web.Google Scholar
Lewes, G. H.G. H. Lewes, Unsigned Notice, Westminster Review.” Allott 83-87.Google Scholar
Locy, Sharon. “Travel and Space in Charlotte Brontë's Jane Eyre.Pacific Coast Philology 37 (2002): 105–21. Print.CrossRefGoogle Scholar
On Memory.” Good Words 5 (1864): 148–53. Print.Google Scholar
Shepherdson, Charles. Lacan and the Limits of Language. New York: Fordham, 2008. Print.CrossRefGoogle Scholar
Shuttleworth, Sally. Charlotte Brontë and Victorian Psychology. Cambridge: Cambridge UP, 1996. Print.CrossRefGoogle Scholar
Talairach-Vielmas, Laurence. “Legacies of the Past: The Buried Stories of Thornfield Hall.” Anglophonia: French Journal of English Studies 15 (2004): 119–30. Print.CrossRefGoogle Scholar
Taylor, Jenny Bourne. “Obscure Recesses: Locating the Victorian Unconscious.” Writing and Victorianism. Ed. Bullen, J. B. New York: Longman, 1997. 137–79. Print.Google Scholar
Vrettos, Athena. “The Curious Effects of Mental Clutter: Expanding and Contracting Consciousness in Middle-march.” North Amer. Victorian Studies Assn. Conf. Delta Montréal Hotel, Montréal. 11 Nov. 2010. Address.Google Scholar
Vrettos, AthenaDisplaced Memories in Victorian Fiction and Psychology.” Victorian Studies 49 (2007): 199207. Print.CrossRefGoogle Scholar
Woolf, Virginia. A Room of One's Own. Peterborough: Broadview, 2001. Print.Google Scholar