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Editor's Note: Bulldagger Sings the Blues

Published online by Cambridge University Press:  23 October 2020

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Abstract

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Type
Editorial
Copyright
Copyright © Modern Language Association of America, 2009

References

Bentley, Gladys. “How Much Can I Stand?Complete Recorded Works in Chronological Order. Vol. 2 (Maggie Jones, May 1925–June 1926; Gladys Bentley, 1928–29). Document, 1995. MP3 file.Google Scholar
Bentley, Gladys. “I Am a Woman Again.” Ebony Aug. 1952: 9298. Print.Google Scholar
Carby, Hazel. “It Just Be's Dat Way Sometime: The Sexual Politics of Women's Blues.” Radical America 20.4 (1986): 924. Center for Digital Initiatives. Web. 19 May 2009.Google Scholar
Chauncey, George. Gay New York: Gender, Urban Culture, and the Making of the Gay Male World, 1890–1940. New York: Basic, 1995. Print.Google Scholar
Davis, Angela. Blues Legacies and Black Feminism. New York: Vintage, 1998. Print.Google Scholar
Eric, Garber. “Gladys Bentley: The Bulldagger Who Sang the Blues.” Out/Look: National Lesbian and Gay Quarterly 1 (1988): 5261. Print.Google Scholar
Rainey, Ma. “Prove It on Me Blues.” The Complete 1928 Sessions in Chronological Order. Document, 1994. Last.fm. Web. 9 June 2009.Google Scholar
Traub, Valerie. “The Present Future of Lesbian Historiography.” A Companion to Lesbian, Gay, Bisexual, Transgender, and Queer Studies. Ed. Haggerty, George and McGarry, Molly. London: Blackwell, 2007. 124–45. Print.Google Scholar
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