Hostname: page-component-84b7d79bbc-g78kv Total loading time: 0 Render date: 2024-07-28T20:33:03.722Z Has data issue: false hasContentIssue false

Circling Ground Zero

Published online by Cambridge University Press:  23 October 2020

Abstract

Nuclear holocaust is often mapped as a circle around a point designated zero. Zero itself, historically a paradoxical sign, recapitulates in its form the circle around an absent center. The paradoxes of this (non)center inform Derrida's pivotal essay “Structure, Sign, and Play in the Discourse of the Human Sciences.” And all these paradoxes bear on Russell Hoban's novel Riddley Walker, which takes place two thousand years after a catastrophic nuclear war. Set in the circle of towns surrounding what was once Canterbury, it evokes a center that is nothing less than “the idear of us.” Hoban uses continual reinterpretations and shifting tangents to generate a narrative circle in motion, both counterpart of and counter to the circling Power Ring that produced the nuclear zero.

Type
Cluster on Modern Fiction
Information
PMLA , Volume 106 , Issue 2 , March 1991 , pp. 251 - 261
Copyright
Copyright © Modern Language Association of America, 1991

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Works Cited

Bartter, Martha The Way to Ground Zero: The Atomic Bomb in American Science Fiction. New York: Greenwood, 1988.Google Scholar
Derrida, Jacques The Post Card: From Socrates to Freud and Beyond. Trans. Bass, Alan. Chicago: U of Chicago P, 1987.CrossRefGoogle Scholar
Derrida, JacquesStructure, Sign, and Play in the Discourse of the Human Sciences.” Writing and Difference. Trans. Bass, Alan. Chicago: U of Chicago P, 1978. 278–27.Google Scholar
Dewey, Joseph In a Dark Time: The Apocalyptic Temper in the American Novel of the Nuclear Age. West Lafayette: Purdue UP, 1990.Google Scholar
Dowling, David Fictions of Nuclear Disaster. London: Macmillan, 1987.CrossRefGoogle Scholar
Einstein, Albert Einstein on Peace. Ed. Nathan, Otto and Norden, Heinz. New York: Schocken, 1975.Google Scholar
Franklin, H. Bruce War Stars: The Superweapon and the American Imagination. New York: Oxford UP, 1988.Google Scholar
Guttman, Melinda, and Schwenger, Peter, eds L'imaginaire du nucléaire. Spec. issue of Cahiers du grif 41–42 (1989): 1191.Google Scholar
Hoban, Russell Riddley Walker. London: Picador, 1982.Google Scholar
Kittrell, Jean, and Sullivan, Alvin, eds Papers on Language and Literature 26.1 (1990): 1186.Google Scholar
Klein, Richard, ed Nuclear Criticism. Spec. issue of Diacritics 14.2 (1984): 181.Google Scholar
Lifton, Robert, and Falk, Richard Indefensible Weapons: The Political and Psychological Case against Nuclearism. New York: Basic, 1982.Google Scholar
Meyers, EdwardAn Interview with Russell Hoban.” Literary Review 28 (1984): 516.Google Scholar
Miller, Walter M. Jr A Canticle for Leibowitz. New York: Harper, 1986.Google Scholar
Rotman, Brian Signifying Nothing: The Semiotics of Zero. London: Macmillan, 1987.CrossRefGoogle Scholar
Scheick, William JNuclear Criticism: An Introduction.” Kittrell and Sullivan 312.Google Scholar
Schwenger, PeterWriting the Unthinkable.” Critical Inquiry 13 (1986): 3348.CrossRefGoogle Scholar
Solomon, J. Fisher Discourse and Reference in the Nuclear Age. Norman: U of Oklahoma P, 1988.Google Scholar
Weart, Spencer R Nuclear Fear: A History of Images. Cambridge: Harvard UP, 1988.Google Scholar