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William Smith , The Use of Hereford: The Sources of a Medieval English Diocesan Rite. Farnham: Ashgate, 2015. xxxi + 830pp. £150. ISBN 978 1 4724 1277 5.

Published online by Cambridge University Press:  20 March 2017

MATTHEW CHEUNG SALISBURY
MATTHEW CHEUNG SALISBURY*
Affiliation:
matthew.cheung-salisbury@music.ox.ac.uk
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Type
Reviews
Information
Plainsong & Medieval Music , Volume 26 , Issue 1 , April 2017 , pp. 74 - 77
Copyright
Copyright © Cambridge University Press, 2017 

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References

1 See, for instance, Reames, Sherry, ‘Lectionary Revision in Sarum Breviaries and the Origins of the Early Printed Editions’, Journal of the Early Book Society, 9 (2006), 95–115 Google Scholar and eadem, ‘Unexpected Texts for Saints in Some Sarum Breviary Manuscripts’, in The Study of Medieval Manuscripts of England: Festschrift in Honor of Richard W. Pfaff, ed. George Hardin Brown and Linda Ehrsam Voigts (Turnhout, 2010), 163–84.

2 Smith declines to study the music and makes this omission clear in the Preface, though notation is pointed to in the descriptions where it appears in the sources.

3 Smith, p. xiii; see Haggh, Barbara, ‘Nonconformity in the Use of Cambrai Cathedral: Guillaume du Fay's Foundations’, in The Divine Office in the Latin Middle Ages: Methodology and Source Studies, Regional Developments, Hagiography: Written in Honour of Professor Ruth Steiner, ed. Fassler, Margot E. and Baltzer, Rebecca A. (Oxford, 2000), 372–97CrossRefGoogle Scholar, at 372.