Hostname: page-component-848d4c4894-2pzkn Total loading time: 0 Render date: 2024-05-13T01:58:35.013Z Has data issue: false hasContentIssue false
  • English
  • Français

Planctus magis quam cantici: The generic significance of Abelard's planctus

Published online by Cambridge University Press:  07 May 2002

Juanita Feros Ruys
Get access Rights & Permissions [Opens in a new window]

Abstract

What did the planctus mean to Abelard? During the 1130s Abelard was rethinking this musical genre and its potential for expressing personalized, dramatic lament. Abelard's relationship with Heloise at this time (and indeed her own literary output) may have provoked a reaction to the generic features of the planctus.

Type
Research Article
Information
Plainsong & Medieval Music , Volume 11 , Issue 1 , April 2002 , pp. 37 - 44
Copyright
© 2002 Cambridge University Press

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)