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Jullien. Marie-Hélène ‘Les sources de la tradition ancienne des quatorze hymnes attribuèes á Saint Ambroise de Milan’, Revue d'histoire des textes, 19 (1989), 57–189. - Jullien. Marie-Hélène ‘Particularitès de la tradition manuscrite ambrosienne; Prèsentation des tèmoins manuscrits des Hymnes d' Ambroise’, in Ambroise de Milan: Hymnes, ed. Jacques Fontaine (Paris: Cerf, 1992), 102–23. - Julia Gutièrrez Carmen. ‘El himnario de Huesca: nueva aproximación’, Anuario musical, 44 (1989), 24–60. - Amiet Robert (ed.) Corpus Hymnologicum Augustanum. Aosta: Industrie grafiche Editoriali Musumeci, 1989. (Monumenta Liturgica Ecclesiae Augustanae X.) - Lagnier Emanuela (ed.) Corpus Musicae Hymnorum Augustanum. Aosta: Tipografia Valdostana, 1991. (MLEA XI.) - Moberg Carl-Allan and Nilsson Ann-Marie. Die liturgischen Hymnen in Schweden II. I: 1. Die Singweisen und ihre Varianten. II: 2. Abbildungen ausgewahlter Quellenhand schrif ten. Uppsala: Almqvist & Wiksell, 1991. (Acta Liniversitatis Llpsaliensis. Studia musicologica Lipsaliensia. Nova series, 13:1, 13:2.) - Nilsson. Ann-Marie On Liturgical Hymn Melodies in Sweden during the Middle Ages (Gothenburg, 1991). (Skrifter fran Musikvetenskapliga institutionen, 24.)
Published online by Cambridge University Press: 12 September 2008
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References
1 Szövérffy's, Joseph broad literary-historical approach, represented by his handbook Latin Hymns (Turnhout, 1989), has dominated the field.Google Scholar On hymn melodies, the major works are Mittler, Placidus, Melodieuntersuchung zu den dorischen Hymnen der lateinischen Liturgie im Mittelalter (Siegburg, 1965);Google ScholarMoberg, Carl-Allan, ‘Die Musik in Guido von Arezzos Solmisationshymne’, Archiv für Musikwissenschaft, 16 (1959), 187–206;Google Scholar and Stäblein, Bruno, ‘Zur Geschichte der choralen Pange-lingua-Melodie’, in Der kultische Gesang der abendländischen Kirch, ed. Franz, Tack (Cologne, 1950), 72–5.Google Scholar
2 Cf. Norberg, Dag, Notes critiques sur V'Hymnarius Severenianus (Stockholm, 1977);Google ScholarDíaz y Díaz, Manuel, ‘Las glosas de un manuscrito litúrgico de Silos’, in Scire litteras: Forschungen zum mittelalterlichen Geistesleben, ed. Krämer, Sigrid and Bernhard, Michael (Munich, 1988), 111–26;Google Scholar Claudio Leonardi, ‘S. Gregorio di Spoleto e l'innario umbro-romano dei codici Par. lat. 1092 e Vat. lat. 7172’, in Lateinische Dichtungen des X. und XI. Jahrhunderts: Festgabe für Walther Bulst zum 80. Geburtstag (Heidelberg, 1981), 129–48.Google Scholar
3 Mearns, James, Early Latin Hymnaries (Cambridge, 1913);Google ScholarGneuss, Helmut, Hymnar und Hymnen im englischen Mittelalter (Tübingen, 1968),Google Scholar and in descriptions in the first volume of Moberg's, Die liturgischen Hymnen in Schweden (Copenhagen, 1947).Google Scholar
4 Hymnar und Hymnen in englischen Mittelalter (Tübingen, 1968);Google Scholar‘Latin Hymns in Medieval England: Future Research’, in Chaucer and Middle English Studies in Honour of R. H. Robbins (London, 1974), 407–24.Google Scholar
5 See The Twelfth Century Cistercian Hymnal, ed. Waddell, Chrysogonus (Gethsemani Abbey, 1985).Google Scholar
6 de la Cuesta, Ismael Fernàndez, ‘La irrupción del canto gregoriano en Espaa: Bases para un replanteamiento’, Revista de musicología, 8 (1985), 239–48;Google ScholarHuglo, Michel, ‘La pénétration des manuscrits aquitains en Espagne’, Revista de musicología, 8 (1985), 249–56.Google Scholar
7 Hymnarium Oscense (S. XI), 2 vols. I: Editión facsímil. II: Estudios, by Antonio Durán, Ramán Moragas and Juan Villarreal (Zaragoza, 1987).
8 On this manuscript, see Díaz y Díaz, Manuel, Codices visigothicos en la monarquia Leonesa (Leon, 1983), 316–17,Google Scholar and idem, ‘Las glosas’ (see note 2).
9 My dissertation on the function of continental glossed hymnaries (in progress) addresses these problems in more detail.
10 Another recent doctoral dissertation involving hymns in a Spanish source, ‘Das Antiphonar von Sta. Cruz de la Serós XII. Jh’, defended by Susana Zapke at the University of Hamburg in 1993, includes a study of the antiphoner, an edition and partial facsimile. The study includes a concordance table of hymns in the Sta. Cruz antiphoner, a Silos antiphoner (London, British Library, Add. 30850), the Huesca hymnary, and the CAO. Zapke is currently preparing a catalogue of manuscripts in the cathedral archive of Huesca.
11 Nilsson's, ‘The Liturgical Hymns in Sweden: An Edition’, published in International Musical Society Study Group Cantus Planus: Papers Read at the Fourth Meeting, Pécs, Hungary, 3–8 September 1990 (Budapest, 1992), 485–502,Google Scholar outlines the background to vol. II.
12 For more extensive remarks on the codicological aspects of the edition and the sources employed, see my forthcoming review in Scriptorium.
13 The dangers of this approach will be evident to anyone who has compared the AH to its manuscript sources: the editions are all more or less riddled with errors, stemming from typography, transcription and intentional (though unacknowledged) meddling.
14 ‘Hymn Research Problems, Proceeding from Moberg's, Carl-AllanDie liturgischen Hymnen in Schweden’, Svensk tidskrift for musikforskning, 72 (1990), 7–62Google Scholar and also in On Liturgical Hymn Melodies in Sweden during the Middle Ages, 33–90.
15 Previously published in Kungliga Musikaliska akademiens årsskrift (1987), 67–79.