Hostname: page-component-848d4c4894-nmvwc Total loading time: 0 Render date: 2024-06-30T13:41:03.594Z Has data issue: false hasContentIssue false
  • English
  • Français

Antonio Calvia, Stefano Campagnolo, Andreas Janke, Maria Sofia Lannutti and John Nádas, eds., The End of the Ars Nova in Italy: The San Lorenzo Palimpsest and Related Repertories, La Tradizione Musicale 21. Florence: Edizioni del Galluzzo per la Fondazione Ezio Franceschini, 2020. xv + 313 pp. €54. ISBN 978 88 9290 046 2. Also freely available as Open Access at www.sismel.info/books/TM21_The_End.pdf.

Review products

Antonio Calvia, Stefano Campagnolo, Andreas Janke, Maria Sofia Lannutti and John Nádas, eds., The End of the Ars Nova in Italy: The San Lorenzo Palimpsest and Related Repertories, La Tradizione Musicale 21. Florence: Edizioni del Galluzzo per la Fondazione Ezio Franceschini, 2020. xv + 313 pp. €54. ISBN 978 88 9290 046 2. Also freely available as Open Access at www.sismel.info/books/TM21_The_End.pdf.

Published online by Cambridge University Press:  08 February 2022

LUCIA MARCHI
LUCIA MARCHI*
Affiliation:
(lmarchi@depaul.edu)
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Review
Information
Plainsong & Medieval Music , Volume 30 , Issue 2 , October 2021 , pp. 179 - 181
Check for updates
Copyright
Copyright © The Author(s), 2022. Published by Cambridge University Press

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 Günther, Ursula, ‘Das Ende der Ars Nova’, Die Musikforschung, 16 (1963), 105–20CrossRefGoogle Scholar.

2 The San Lorenzo Palimpsest. Florence, Archivio del Capitolo di San Lorenzo, Ms. 2211. Introductory Study and Multispectral Images, ed. Andreas Janke and John Nádas (Lucca, 2016); reviewed by Margaret Bent in Plainsong & Medieval Music, 26 (2017), 186–98.

3 For example, in Lopatin, Mikhail, ‘Metapoesis in Trecento Song: “Divisio” at the Intersection of Love, Poetic Form, and Music’, Music and Letters, 99 (2018), 511–50CrossRefGoogle Scholar.

4 For example, Vivarelli, Carla, ‘Di una pretesa scuola napoletana: Sowing the Seeds of the Ars Nova at the Court of Roberto d'Anjou’, Journal of Musicology, 24 (2007), 272–96CrossRefGoogle Scholar.