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Electroacoustic music in a multi-perspective architectural context: a sound installation for Renzo Piano's Auditorium in Rome

Published online by Cambridge University Press:  19 January 2004

FRANCESCO GIOMI ,
DAMIANO MEACCI  and
KILIAN SCHWOON
FRANCESCO GIOMI
Affiliation:
Centro Tempo Reale, Villa Strozzi – Via Pisana 77, I-50143 Firenze, Italy E-mail: [fg, dm, ks]@centrotemporeale.it
DAMIANO MEACCI
Affiliation:
Centro Tempo Reale, Villa Strozzi – Via Pisana 77, I-50143 Firenze, Italy E-mail: [fg, dm, ks]@centrotemporeale.it
KILIAN SCHWOON
Affiliation:
Centro Tempo Reale, Villa Strozzi – Via Pisana 77, I-50143 Firenze, Italy E-mail: [fg, dm, ks]@centrotemporeale.it
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Abstract

This paper describes the musical and technical design and the realisation of a large-scale sound installation produced and realised by Centro Tempo Reale for the inauguration of Renzo Piano's new Auditorium in Rome. The installation, conceived by Luciano Berio, was mainly dedicated to electroacoustic music: the complex technological set-up offered a new instrument for which electroacoustic pieces were transcribed. The techniques and the aesthetic implications of this transcription process within the context of an installation are discussed.

Type
Research Article
Information
Organised Sound , Volume 8 , Issue 2 , August 2003 , pp. 157 - 162
Copyright
© 2003 Cambridge University Press

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