¹ Anton Schindler, Beethoven As I Knew Him, ed. Donald W. MacArdle, trans. Constance S. Jolly (Chapel Hill: University of North Carolina Press, 1966), 104Google Scholar

Schmidt, Christian Martin, ‘Konzert C-Dur für Klavier, Violine, Violoncello und Orchester “Tripelkonzert” Op. 56,’ in Beethoven, Interpretation seiner Werk, ed. Carl Dahlhaus (Laaber: Laaber Verlag, 1994), 400Google Scholar

² Jonathan Del Mar, ed., ‘Critical Commentary’ to Ludwig van Beethoven, Concerto in C major, for Pianoforte, Violin, Violoncello and Orchestra ‘Triple Concerto’, Op. 56 (Kassel: Bärenreiter-Verlag Karl Vötterle GmbH und Co. KG, 2012)Google Scholar

³ Only one leaf of the first movement and much of the third movement. See ‘Critical Commentary', 12.

⁴ Ludwig van Beethoven, Neue Gesamtausgabe (Munich: Henle, 1968)Google Scholar

⁵ ‘Critical Commentary’, 16.

⁶ ‘Critical Commentary’, 15.

⁷ Ibid., 16.

⁸ Ibid., 18.

⁹ Ibid., 18.

¹⁰ Ibid., 17.

¹¹ Ibid., 12.

¹² Ibid., 13.

¹³ Schmidt, ‘Konzert C-Dur für Klavier, Violine, Violoncello und Orchester ‘Tripelkonzert’ Op. 56’, 400Google Scholar

¹⁴ ‘Concertante’, The Oxford Dictionary of Music, 2nd ed. rev. Oxford Music Online (Oxford University Press, accessed November 27, 2012), http://www.oxfordmusiconline.com/subscriber/article/opr/t237/e2334.

¹⁵ ‘Concertante’, The Oxford Companion to Music. Oxford Music Online (Oxford University Press, accessed November 27, 2012), http://www.oxfordmusiconline.com/subscriber/article/opr/t114/e1540.

¹⁶ Brook, Barry S. and Gribenski, Jean, ‘Symphonie concertante’, Grove Music Online. Oxford Music Online (Oxford University Press, accessed November 25, 2012)Google Scholar

¹⁷ Brook, Barry S. and Gribenski, Jean, ‘Symphonie concertante’, Grove Music Online. Oxford Music Online (Oxford University Press, accessed November 30, 2012)Google Scholar

¹⁸ Thompson, Wendy, ‘symphonie concertante’, The Oxford Companion to Music, Oxford Music Online (Oxford University Press, accessed November 30, 2012)Google Scholar

¹⁹ Plantinga, Leon, Beethoven's Concertos (New York: W. W. Norton & Company, 1999)Google Scholar

²⁰ Ibid., 182; Schmidt, ‘Konzert C-Dur für Klavier, Violine, Violoncello und Orchester ‘Tripelkonzert’ Op. 56’, 401.

²¹ Kerman, Joseph et al., ‘Beethoven, Ludwig van’, Grove Music Online. Oxford Music Online, Oxford University Press, accessed January 5, 2013Google Scholar

²² Das Werk Beethovens Thematisch-Bibliographisches Verzeichnis seiner sämtlichen vollendeten Kompositions, ed. George Kinsky and Hans Halm (Munich: Henle, 1955), 111.

²³ Carl Dahlhaus, Beethoven, 192Google Scholar

Ludwig van Beethoven, Sämtliche Briefe und Aufzeichnungen, ed. Fritz Prelinger (Wien; Leipzig: C. W. Stern, 1907)Google Scholar

²⁴ Among the ten Beethoven violin sonatas, op. 47 is the first whose title suggests an equal treatment of the two instruments, in comparison to op. 12 and 30, which were released ‘pour le Piano Forte avec un Violon’. See further, The Beethoven Violin Sonatas, ed. Lewis Lockwood and Mark Kroll (Urbana: University of Illinois Press, 2004), 61–82.

²⁵ Carl Czerny, Erinnerungen aus meinem Leben, ed. Walter Kolneder (Strasbourg: P. H. Heitz, 1968), 43Google Scholar

Carl Dahlhaus, ed., Beethoven, Interpretation seiner Werke, 208Google Scholar

²⁶ Ibid., 208.

²⁷ Hopkins, Anthony, The Seven Concertos of Beethoven (Aldershot:: Scolar Press, 1996)Google Scholar

²⁸ Cooper, Barry, Beethoven (Oxford: Oxford University Press, 2000)Google ScholarPubMed

Ludwig van Beethoven Briefwechsel Gesamtausgabe, ed. Sieghard Brandenburg, 7 vols. (Munich: G. Henle, 1996–98)Google Scholar

²⁹ Schmidt, ‘Konzert C-Dur für Klavier, Violine, Violoncello und Orchester ‘Tripelkonzert’ Op. 56,’ 401.

³⁰ Ibid., 404.

³¹ Steinberg, Michael, The Concerto, A Listener's Guide (Oxford: Oxford University Press, 1998)Google Scholar

³² Allgemeine Musikalische Zeitung No. 39 (23 June, 1808), 623.