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Gunther Braam, The Portraits of Hector Berlioz. Hector Berlioz: New Edition of the Complete Works Vol. 26, English translation by John Warrack, edited by Richard Macnutt and John Warrack (Kassel, Basel, London, New York, Prag: Bärenreiter, 2003), ISBN 3-7618-1677-4. xxcii + 401pp. £170.50

Published online by Cambridge University Press:  13 April 2011

Julian Rushton
Julian Rushton
Affiliation:
University of Leeds
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Type
Score Reviews
Information
Nineteenth-Century Music Review , Volume 2 , Issue 1 , June 2005 , pp. 224 - 227
Copyright
Copyright © Cambridge University Press 2005

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References

1 Berlioz found strangely wrong Spontini's suggestion that the Grande messe des morts might have been inspired by Michelangelo's Last Judgement frescos: ‘je ne me connais point en peinture et je suis peu sensible aux beautés de convention’. Mémoires, ed. Citron, Pierre (Paris, 1991), 301Google Scholar.

2 New Berlioz Edition, general editor Macdonald, Hugh (Kassel, from 1969).Google Scholar

3 Holoman, D. Kern, Catalogue of the Works of Hector Berlioz. Berlioz, New Edition vol. 25 (Kassel, 1987).Google Scholar

4 Berlioz, Hector, Grand traité d'orchestration et d'instrumentation modernes, ed. Bloom, Peter. New Berlioz Edition vol. 24 (Kassel, 2003)Google Scholar . Macdonald, Hugh, ed., Berlioz's Orchestration Treatise. A Translation and Commentary (Cambridge, 2002)Google Scholar.

5 Mozart und seine Welt in zeitgenössischen Bildern, begründet von Maximilian Zenger, vorgelegt von Otto Erich Deutsch. Mozart, Neue Ausgabe sämtlicher Werke, Serie X: Supplement; Werkgruppe 32 (Kassel, 1961).Google Scholar

6 Berlioz. La Voix du romantisme. Sous la direction de Catherine Massip et de Cécile Reynaud (Paris, 2003).Google Scholar