¹ Dates are from the catalogue in Nectoux's, Jean-Michel indispensable Gabriel Fauré: A Musical Life, trans. Nichols, Roger (Cambridge: Cambridge University Press, 1991): 525–58Google Scholar , as opus numbers and publication years may mislead; volume numbers refer to the recordings under review.

² Nectoux, Jean-Michel, Gabriel Fauré: His Life Through His Letters (London: Gordon and Breach, 1984): 252Google Scholar .

³ See Tardif, Cécile, ‘Fauré and the Salons’, in Regarding Fauré, ed. and trans. Gordon, Tom (Amsterdam: Gordon and Breach, 1999): 1–14.Google Scholar

⁴ See Nectoux, Jean-Michel, ‘Fauré: Voice, Style and Vocality’, in Regarding Fauré, ed. and trans. Gordon, Tom (Amsterdam: Gordon and Breach, 1999): 369–402.Google Scholar

⁵ Abraham, Hélène, The Singer as Interpreter: Claire Croiza's Master Classes, ed. and trans. Bannerman, Betty (London: Gollancz, 1989), 79–80Google Scholar ; Long, Marguerite, At the Piano with Fauré, trans. Senior-Ellis, Olive (London: Kahn and Averill, 1980): 66Google Scholar .

⁶ Long, , At the Piano with Fauré, 67–8Google Scholar ; Campbell, Don, Master Teacher: Nadia Boulanger (Washington: Pastoral Press, 1984): 108Google Scholar .

⁷ Abraham, , The Singer as Interpreter, 80Google Scholar .

⁸ Barthes, Roland, ‘Phantoms of the Opera’ [Paris, 1974]Google Scholar , in The Grain of the Voice, trans. Coverdale, Linda (Berkeley: University of California Press, 1985): 185Google Scholar .

⁹ Barthes, Roland, ‘The Grain of the Voice’ [Paris, 1972]Google Scholar , in The Responsibility of Forms, trans. Howard, Richard (Berkeley: University of California Press, 1985): 272–6Google Scholar .

¹⁰ Barthes, Roland, ‘Music, Voice, Language’ [Paris, 1977]Google Scholar , in The Responsibility of Forms, trans. Howard, Richard (Berkeley: University of California Press, 1985): 283–4)Google Scholar .

¹¹ Charles Panzéra, The Master of French Song, Dutton Laboratories CDBP9726.

¹² See Hunter, David, Understanding French Verse: A Guide for Singers (Oxford: Oxford University Press, 2005)Google Scholar .

¹³ See Panzéra, Charles, L’Art vocal: 30 leçons de chant (Paris, 1959)Google Scholar ; Panzéra, Charles, 50 Mélodies françaises: leçons de style et d'interprétation (Brussels, 1964)Google Scholar ; and Bernac, Pierre, The Interpretation of French Song [1970], trans. Radford, Winifred (New York, 1978)Google Scholar , for illuminative sources. Recordings made in the 1950s and 1960s by Camille Maurane, a student of Claire Croza and a voice professor at the Paris Conservatoire, offer models of such sensitive interpretation; regrettably, those which have been reissued on CD more recently remain rare.

¹⁴ Nectoux, , Gabriel Fauré: His Life Through His Letters, 24Google Scholar .

¹⁵ Ravel, Maurice, ‘Les Mélodies de Gabriel Fauré’, La Revue musicale 4/11 (1922): 24Google Scholar .

¹⁶ Johnson, Graham and Stokes, Richard, A French Song Companion (Oxford: Oxford University Press, 2000)Google Scholar .

¹⁷ Sobaskie, James William, ‘The Emergence of Gabriel Fauré's Late Musical Style and Technique’, Journal of Musicological Research 22/3 (2003): 223–75CrossRefGoogle Scholar .