Hostname: page-component-7479d7b7d-m9pkr Total loading time: 0 Render date: 2024-07-13T15:42:15.844Z Has data issue: false hasContentIssue false

Christian McWhirter, Battle Hymns: The Power and Popularity of Music in the Civil War (Chapel Hill, NC: University of North Carolina Press, 2012). viii + 321 pp. $39.95.

Published online by Cambridge University Press:  01 April 2014

Katherine K. Preston*
Affiliation:
The College of William and Marykkpres@wm.edu

Abstract

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Book Reviews
Copyright
Copyright © Cambridge University Press 2014 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 McWhirter, Christian L., ‘Liberty's Great Auxiliary: Music and the American Civil War’ (PhD diss., University of Alabama, 2009)Google Scholar.

2 The earliest of these books include my own Opera on the Road: Traveling Opera Troupes in the United States, 1825–60 (Chicago: University of Illinois Press, 1993/2001), Martin, George, Verdi at the Golden Gate: Opera and San Francisco in the Gold Rush Years (Berkeley: University of California Press, 1993)Google Scholar and Ahlquist, Karen, Democracy at the Opera: Music, Theater, and Culture in New York City, 1815–60 (Chicago: University of Illinois Press, 1997)Google Scholar. Additional scholarship since the 1990s has confirmed the importance of opera in American popular culture of the nineteenth century.

3 Kelley, Bruce C. and Snell, Mark A., eds., Bugle Resounding: Music and Musicians of the Civil War Era (Columbia, MO: University of Missouri Press, 2004)Google Scholar.