Hostname: page-component-848d4c4894-ndmmz Total loading time: 0 Render date: 2024-05-21T03:55:18.094Z Has data issue: false hasContentIssue false
  • English
  • Français

Andreas Giger, Verdi and the French Aesthetic: Verse, Stanza, and Melody in Nineteenth-Century Opera (Cambridge: Cambridge University Press, 2009). x + 294pp. £52.00

Published online by Cambridge University Press:  26 April 2011

Clair Rowden
Clair Rowden
Affiliation:
Cardiff University
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Book Reviews
Information
Nineteenth-Century Music Review , Volume 7 , Issue 2 , November 2010 , pp. 129 - 132
Copyright
Copyright © Cambridge University Press 2010

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 Il Figaro (11 Feb. 1864): 2, quoted in Boito, Arrigo, Tutti gli scritti, ed. Nardi, P. (Milan: Mondadori, 1942), 1119Google Scholar, and translated in Budden, J., The Operas of Verdi, 3 vols, vol. 2, From Il Trovatore to La Forza del destino (Oxford: Oxford University Press, 1992): 16–17Google Scholar.

2 Details of the principal theoretical texts cited are given in an appendix (Giger, Verdi and the French Aesthetic, 229–31).

3 Letter to Romain Rolland, 15 July 1905, in Myers, Rollo, ed., Richard Strauss & Romain Rolland: Correspondence (London: Calder & Boyars, 1968): 35Google Scholar.