¹ Glazunov, Alexandr, ‘Zapiska A. K. Glazunova o redaktsii “Knyazya Igorya” Borodina’ [Note by A. K. Glazunov on the editing of Borodin's Prince Igor], Russkaya muzykal'naya gazyetta [Russian Musical Gazette] 3 (1896): 155–160Google Scholar

Abraham, Gerald, ‘The History of “Prince Igor”’, in On Russian Music: Critical and Historical Studies of Glinka's Operas, Balakirev's Works, etc., with Chapters Dealing with Compositions by Borodin, Rimsky-Korsakov, Tchaikovsky, Mussorgsky, Glazunov, and Various Other Aspects of Russian Music (London: Reeves, 1939)Google Scholar

Taruskin, Richard, On Russian Music (Berkeley: University of California Press, 2009): 185Google Scholar

² Taruskin, On Russian Music, 185Google Scholar

³ Anna Bulycheva, Preface to Borodin, Prince Igor, 5.

⁴ Ibid.

⁵ Ibid.

⁶ Abraham was one of the first to document the opera's genesis and publication history. His essay ‘The History of “Prince Igor”’ first appeared in Music & Letters 16/2 (April 1935): 85–95, and was subsequently republished in his collected essays On Russian Music.

⁷ Oldani, Robert W., ‘Borodin, Aleksandr Porfir'yevich’, in Grove Music Online, accessed 1 June 2013Google Scholar

⁸ Glazunov's article was translated and reproduced in full in Gerald Abraham's essay ‘The History of “Prince Igor”’, 165–8; see also fn. 1.

⁹ Abraham, On Russian Music, 167Google Scholar

¹⁰ Ibid., 166.

¹¹ Bulycheva, preface to Borodin, Prince Igor, 6.

¹² Taruskin, On Russian Music, 185Google Scholar