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Alice Mary Smith

Published online by Cambridge University Press:  13 April 2011

Sophie Fuller
Affiliation:
London

Abstract

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Type
CD Reviews
Copyright
Copyright © Cambridge University Press 2007

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References

1 Unsigned, Mrs Meadows White’, The Musical Times 26 (1885): 24.Google Scholar

2 All quotations from the Novello advertisement for The Passions in The Musical Review (28 Apr. 1883): 279.Google Scholar

4 Unsigned, The Englishwoman's Review of Social and Industrial Questions 14 (1883): 134.Google Scholar

5 Stratton, Stephen S., ‘Woman in Relation to Musical ArtProceedings of the Musical Association 3 (18821883): 128.Google Scholar

6 Unsigned, The Feminine in Music’, The Musical Times 23 (1882): 521.Google Scholar

7 See The Lute 3/1 (Jan. 1885): 8.Google Scholar

8 Unsigned, Women as Composers’, The Musical Times 28 (1887): 81.Google Scholar

9 Smith, Alice Mary, Symphonies, ed. Graham-Jones, Ian, vol. 38 (Middleton, WI: A-R Editions, 2004).Google Scholar

10 Philharmonic Society Papers, BL Loan 48.13/35, f.239.

11 Hadden, J.C., ‘White, Alice Mary Meadows (1 39–1 )’, rev. Golby, David J., Oxford Dictionary of National Biography (Oxford: Oxford University Press, 2004)Google Scholar . Available online at www.oxforddnb.com/view/article/29235 (accessed 6 Jan. 2006).

12 Letter from Frederick Meadows White to Francesco Berger (Honorary Secretary of the Philharmonic Society), 10 December 1884. Philharmonic Society Papers, BL Loan 48.13/35, f. 240.

13 Stratton, , ‘Woman in Relation to Musical Art’: 138.Google Scholar

14 Unsigned, ‘Fourth New Philharmonic Concert’, The Times, 9 Jun. 1879: 8Google Scholar

15 The mistake is found in the first edition of Grove's Dictionary of Music and Musicians, published not long after Smith's death, and is perpetuated in many later writings on Smith, including the entry on her in my own The Pandora Guide to Women Composers (London: Pandora, 1994): 283–5Google Scholar . Grove's Dictionary also appears to be the first source to mistakenly give the key of Smith&s second symphony as G major, leading some writers to claim mistakenly that she wrote three symphonies.