Obituary
Clive Barker, 1931–2005
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- 21 April 2005, p. 107
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Research Article
Staging the Nazi Assault on Reason: Hanns Johst's Schlageter and the ‘Theatre of Inner Experience’
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- 19 October 2005, pp. 307-316
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Innovative Spirit at the Heart of Theatre Studies
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- 18 July 2005, pp. 203-204
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Shakespeare, the Natyasastra, and Discovering Rasa for Performance
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- 26 January 2005, pp. 3-12
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Metatheatre and Character Dynamics in The Two-Headed Anomaly by Dario Fo
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- 26 January 2005, pp. 13-22
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‘Is It All Going Soft?’ The Turning Point in Russian Actor Training
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- 21 April 2005, pp. 108-117
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A Generous and Pervasive Presence
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- 18 July 2005, pp. 204-206
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‘And So This Is What Happened’: War Stories in New Plays for Children
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- 19 October 2005, pp. 317-330
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Clive Barker Remembered
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- 18 July 2005, pp. 203-206
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Distance and Reflexivity: Creating the Stage World of Pantoland
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- 19 October 2005, pp. 331-339
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Meyerhold and the New Millennium
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- 21 April 2005, pp. 118-126
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‘A Whole New World Still to Make’: a Valedictory for Peter Barnes
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- 26 January 2005, pp. 23-27
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The Comeback Kid
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- 18 July 2005, p. 206
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When a People Do Not Need to Remember: Witnessing the Death of Pangtoed 'Cham in Sikkim
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- 21 April 2005, pp. 127-147
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Lessons for Theatre of the Oppressed from a Romanian Orphanage
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- 19 October 2005, pp. 340-357
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The Good, the Bad, and the Ugly: the Politics of Morality in Martin McDonagh's The Lieutenant of Inishmore
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- 26 January 2005, pp. 28-33
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Red Lotus in the Twenty-First Century: Dilemmas in the Lao Performing Arts
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- 26 January 2005, pp. 34-51
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‘Class’ and Political Theatre: the Case of Melbourne Workers Theatre
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- 18 July 2005, pp. 207-217
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The Pepys of London E11: Graeme Miller and the Politics of Linked
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- 21 April 2005, pp. 148-160
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The Theatrical Memory of Space: from Piscator and Brecht to Belgrade
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- 19 October 2005, pp. 358-366
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