Hostname: page-component-77c89778f8-gq7q9 Total loading time: 0 Render date: 2024-07-22T22:17:52.845Z Has data issue: false hasContentIssue false
  • English
  • Français

Women and the Restoration Stage

Published online by Cambridge University Press:  15 January 2009

Vivien Gardner
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
NTQ Book Reviews
Information
New Theatre Quarterly , Volume 6 , Issue 22 , May 1990 , pp. 188 - 191
Copyright
Copyright © Cambridge University Press 1990

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1.The Works of Aphra Behn in six volumes, ed. Montague, Summers, 1915. Reissued New York: Benjamin Blom, 1967.Google Scholar
2.The Female Wils: Women Playwrights of the Restoration, ed. Morgan, Fidelis. London: Virago, 1981. ISBN 0-86068-231-5. Includes: Behn, The Lucky Chance; Trotter, The Fatal Friendship; Manley, The Royal Mischief; Pix, The Innocent Mistress; Centlivre, The Wonder: a Woman Keeps a Secret; and the anonymous The Female Wits.Google Scholar
3.Love and Thunder: Plays by Women in the Age of Queen Anne, ed. Kendall, . London: Methuen New Theatrescripts, 1988. £4.95. ISBN 0-413-17750-5. Includes: Trotter, Love at a Loss; Pix, The Spanish Wives; Centlivre, The Adventures of Venice; Wiseman, Antiochus the Great.Google Scholar
4.Behn, Aphra, Oroonoko and Other Stories. London: Methuen, 1986. £3.95. ISBN 0-413-41360-8; The Lucky Chance. London: Methuen, 1984. £3.95. ISBN 0-413-57120-3. The Rover. London: Methuen, 1986. £4.99. ISBN 0-413-40550-8.Google Scholar
5.Centlivre, Susannah, A Bold Stroke for a Wife, ed. Stathas, Thalia (Regent's Restoration Drama Series). London: Edward Arnold, 1968. [The only example of a paperback Centlivre play before The Female Wits, but now out of print.]Google Scholar
6.Notably: Showalter, Elaine, A Literature of Their Own, London: Virago, 1978; and Ellen Moers, Literary Women. London: Women's Press, 1978.Google Scholar
7.Duffy, Maureen, The Passionate Shepherdess. London: Jonathan Cape, 1977. ISBN 0-224-01349-1Google Scholar
8.Duffy, reprinted London: Methuen, 1989. £7.99 (paperback). ISBN 0-413-17650-9. Goreau, Angeline, Reconstructing Aphra: a Social Biography of Aphra Behn. Oxford: Oxford University Press, 1980. ISBN 0-19-822663.Google Scholar
9.Duffy, , p. 212.Google Scholar
10.Goreau, , p. 17.Google Scholar
11.Bowyer, John Wilson, The Celebrated Mrs Centlivre. Durham, N.C.: Duke University Press, 1952.Google Scholar
12.Manvell, Roger, Elizabeth Inchbald, England's Principal Woman Dramatist and Independent Woman of Letters in Eighteenth-Century London: a Biographical Study. Lanham, MD: University Press of America, 1987. ISBN 0-8191-6634-0.Google Scholar
13.Clark, Constance, Three Augustan Women Playwrights. New York: Peter Lang, 1986. ISBN 0-8204-0309-1.Google Scholar
14.A Woman of No Character: an Autobiography of Mrs Manley, ed. Morgan, Fidelis. London: Faber, 1986. £3.95. ISBN 0-571-14665-1.Google Scholar
15.Pearson, Jacqueline, The Prostituted Muse: Images of Women and Women Dramatists, 1642–1737. Hemel Hempstead: Harvester-Wheatsheaf, 1988.Google Scholar
16.Gilder, Rosamund, Enter the Actress: the First Women in the Theater. New York: Theatre Arts Books, 1931, reprinted, 1960.Google Scholar
17.Gilder, Rosamund, Enter the Actress: the First Women in the Theater. New York: Theatre Arts Books, 1931, p. 146–7.Google Scholar
18.Roberts, David, The Ladies: Female Patronage of Restoration Drama. Oxford: Oxford University Press, 1989. ISBN 0-19-811743-4.Google Scholar