Hostname: page-component-848d4c4894-jbqgn Total loading time: 0 Render date: 2024-06-20T15:42:00.488Z Has data issue: false hasContentIssue false

Displaying Abroad: Architecture and Town Planning Exhibitions of Britain in Turkey in the Mid-1940s

Published online by Cambridge University Press:  03 February 2016

Elvan Altan Ergut*
Affiliation:
Graduate Program in Architectural History, Middle East Technical University, Dumlupınar Bulvarı, 06531, Ankara

Abstract

This paper focuses on two exhibitions of architecture and town planning held by Britain in Turkey in the mid-1940s. The use of these exhibitions for propaganda purposes, as well as their reception in the highly politicized context of World War II, requires the study to emphasize the political as well as the professional perspective of the contemporary architectural context. Analyzing why and how these exhibitions were held, and what they displayed as representative of British architecture and town planning, the paper discusses the characteristics of the contemporary discourses and practices of the profession with reference to the national dynamics of each country and their position in the international scene at the dawn of a new era in world history. The aim is to question the relations of power that are conventionally taken to define discursive and practical hierarchies of binary constructs, such as national/international or traditional/modern. Examining the case of the British exhibitions in Turkey, the paper emphasizes instead the necessity of a comparative analysis to evaluate the architectural products in-between or beyond dichotomies as produced in discrete yet interconnected contexts.

Type
Articles
Copyright
Copyright © New Perspectives on Turkey and Cambridge University Press 2014

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Akcan, Esra. Architecture in Translation: Germany, Turkey, and the Modern House. Durham, NC: Duke University Press, 2012.Google Scholar
Alsaç, Üstün. Türkiye’de Mimarlık Düşüncesinin Cumhuriyet Dönemindeki Evrimi. Trabzon: KTÜ Baskı Atelyesi, 1976.Google Scholar
Altan Ergut, Elvan. “The Exhibition House in Ankara: Building (up) the ‘National’ and the ‘Modern.’Journal of Architecture 16, no. 6 (2011): 855884.CrossRefGoogle Scholar
Ayman Güler, Birgül, ed. Açıklamalı Yönetim Zamandizini 1940–1949. Ankara: Ankara Üniversitesi Siyasal Bilgiler Fakültesi Kamu Yönetimi Araştırma ve Uygulama Merkezi 3; Türkiye Cumhuriyeti İdare Tarihi Araştırması (TİDATA), 2008.Google Scholar
Bennett, Tony. The Birth of the Museum. London and New York: Routledge, 1995.Google Scholar
Bozdoğan, Sibel. Modernism and Nation Building: Turkish Architectural Culture in the Early Republic. Seattle: University of Washington Press, 2001.Google Scholar
Britanya Şehircilik Sergisi. Ankara: Milli Eğitim Basımevi, 1947.Google Scholar
“British Architecture in Turkey.” RIBA Journal (January 1947): 158.Google Scholar
Bryant, William D.Building Exhibition: A Short History of Its Development since 1880. London: N.p., 1947.Google Scholar
“Building Now: The RIBA Exhibition for 1946 Described.” RIBA Journal (April 1946), 224231.Google Scholar
Bullock, Nicholas. Building the Postwar World: Modern Architecture and Reconstruction in Britain. London and New York: Routledge, 2002.Google Scholar
Chitty, Anthony. “1900 ila 1947’de Büyük Britanya’da Şehircilik.Arkitekt 3-4 (1947): 8891, 100.Google Scholar
Chitty, Anthony. “Mesken İnşaatı.Arkitekt 5-6 (1947): 131134.Google Scholar
Chitty, Anthony. “İnşa TekniğArkitekt 7-8 (1947): 188191.Google Scholar
Cohen, Jean-Louis. Architecture in Uniform. Designing and Building for the Second World War. Paris: Editions Hazan, 2011.Google Scholar
Davies, Veronica. “A Comparative Study of State Art Policies, Institutional Practices and Exhibition Organisation in Britain and Germany c.1945–51.” PhD Dissertation, University of East London, 2005.Google Scholar
Davies, Veronica. “‘Steering a Progressive Course’? Exhibitions in Wartime and Postwar Britain.” 5 December 2008, Henry Moore Institute Online Papers and Proceedings, http://www.henry-moore.org/docs/file_1374591327512.pdf.Google Scholar
Denktaş, Adil. “Milli Mimari Anketine Cevap.” Mimarlık 2 (1944): 3.Google Scholar
Doğu, Nizamettin. “İngiliz Mimarlık Sergisi.Mimarlık 4 (1944): 20.Google Scholar
Doğu, Nizamettin. “Nasıl Bir Ev Yaptırsam?Mimarlık 4 (1948): 35.Google Scholar
Donaldson, Frances Lonsdale. British Council: First Fifty Years. London: Jonathan Cape, 1984.Google Scholar
Ellison, Grace M.Bir İngiliz Kadını Gözüyle Kuva-i Milliye Ankarası. İstanbul: Milliyet Yayınları, 1973.Google Scholar
Emre, Gültekin. “Nazi Mimarisi Sergisi.” Tarih ve Toplum 76 (1990): 2022.Google Scholar
“Exhibition in Turkey.” The Architect and Building (January 10, 1947): 28.Google Scholar
Fraser, Murray and Kerr, Joe. Architecture and the Special Relationship: The American Influence on Postwar British Architecture. London and New York: Routledge, 2007.Google Scholar
Greenberg, Reesa, Ferguson, Bruce W. and Nairne, Sandy, eds. Thinking about Exhibitions. London and New York: Routledge, 1996.Google Scholar
“Haberler.” Arkitekt 1-2 (1947): 54.CrossRefGoogle Scholar
İngiliz Mimarlık Sergisi. Ankara: Alaeddin Kıral Basımevi, 1944.Google Scholar
“İngiliz Mimari Sergisi.” Arkitekt 05-06 (1944): 143.Google Scholar
“İstanbul’da Açılan İngiliz Mimarlık Sergisi Münasebetiyle.” Mimarlık 11-12 (1944): 260261.Google Scholar
“İngiliz Mimarlık Sergisi dolayısile İngiliz Mimarisi.” Türk Yüksek Mühendisler Birliği Dergisi 49 (1944): 8.Google Scholar
Kallmann, S. “The Wartime Exhibition.” Architectural Review (October 1943), 95106.Google Scholar
Karp, Ivan and Lavine, Steven D., eds. Exhibiting Cultures, the Poetics and Politics of Museum Display. Washington DC: Smithsonian, 1991.Google Scholar
Knell, Simon J., et al. eds. National Museums: New Studies from around the World. London and New York: Routledge, 2011.Google Scholar
Kömürcüoğlu, Asım. “Dünya Mimarisinde İnkılap ve Memleketimiz.” Yapı 17 (1942): 6.Google Scholar
Lu, Duanfang. “Introduction: Architecture, Modernity and Identity in the Third World.” in Third World Modernism: Architecture, Development and Identity, edited by Lu, Duanfang, 128. London and New York: Routledge, 2011.Google Scholar
Maguire, Patrick J. and Woodham, Jonathan M., eds. Design and Cultural Politics in Postwar Britain: “The Britain Can Make It” of 1946. Leicester: Leicester University Press, 1997.Google Scholar
Minihan, Janet. The Nationalization of Culture: The Development of State Subsidies to the Arts in Great Britain. New York: New York University Press, 1977.Google Scholar
Mortaş, Abidin. “Yeni Alman Mimarisi Sergisi.Arkitekt 3-4 (1943): 6770.Google Scholar
Nadi, Yunus. “Anıtkabir Müsabakası Üzerine.” Yapı 11 (1942): 11.Google Scholar
Nasır, Ayşe. “Türk Mimarlığında Yabancı Mimarlar.” PhD Dissertation, İstanbul Teknik Üniversitesi, 1991.Google Scholar
Ockman, Joan. “Introduction.” in Architecture Culture 1943–1968, edited by Ockman, Joan, 1324. New York: Rizzoli, 1993.Google Scholar
Pearson, Nicholas M.The State and the Visual Arts: A Discussion of State Intervention in the Visual Arts in Britain, 1760–1981. Milton Keynes: The Open University Press, 1982.Google Scholar
Powers, Alan. Britain: Modern Architectures in History. London: Reaktion Books, 2007.Google Scholar
“Replanning Britain Exhibition.” RIBA Journal 55 (1947): 28.CrossRefGoogle Scholar
“Replanning of Britain. Exhibition in Stockholm of British Town Planning.” RIBA Journal (June 1946): 352.Google Scholar
Sayar, Zeki. “Nafıa Sergisi Münasebetiyle.” Arkitekt 3-4 (1944): 51, 70.Google Scholar
Sert, Jose Luis, Leger, Fernand, and Giedion, Sigfried. “Nine Points on Monumentality.” in Architecture Culture, 1943–1968: A Documentary Anthology, edited by Ockman, Joan, 2730. New York: Rizzoli, 1993.Google Scholar
Sinclair, Andrew. Arts and Cultures: The History of the 50 Years of the Arts Council of Great Britain. London: Sinclair Stevenson, 1995.Google Scholar
Staniszewski, Mary Anne. The Power of Display: A History of Exhibition Installations at the Museum of Modern Art. Cambridge: The MIT Press, 1998.Google Scholar
Taylor, Brandon. Art for the Nation: Exhibitions and the London Public, 1747–2001. Manchester: Manchester University Press, 1999.Google Scholar
Taylor, Philip M.The Projection of Britain: British Overseas Publicity and Propaganda 1919–1939. Cambridge: Cambridge University Press, 2007.Google Scholar
Tekeli, İlhan. Dış Siyaseti ve Askeri Stratejileriyle İkinci Dünya Savaşı Türkiye’si. İstanbul: İletişim, 2013.Google Scholar
Turner, Barry. Beacon for Change: How the 1951 Festival of Britain Helped to Shape a New Age. London: Aurum Press, 2011.Google Scholar
Watkin, David. English Architecture: A Concise History. Oxford: Oxford University Press, 1979.Google Scholar
“The Work of the RIBA: Exhibitions.” RIBA Journal (October 1948): 531.Google Scholar
Zelef, M. Haluk. “Building, Constructing, and Exhibiting in Turkey: The Republican Public Works Exhibition.” Docomomo Journal, Special Issue: “Modern Architecture in the Middle East,” edited by Ergut, Elvan Altan and Özkaya, Belgin Turan, 35 (2006): 5461.Google Scholar
Zevi, Bruno. “From Towards an Organic Architecture.” in Architectural Theory, volume II of An Anthology from 1871–2005, edited by Mallgrave, Harry Francis and Contandriopoulos, Christina. London: Blackwell Publishing, 2008.Google Scholar