Hostname: page-component-7479d7b7d-c9gpj Total loading time: 0 Render date: 2024-07-11T23:44:01.187Z Has data issue: false hasContentIssue false

Reconstruction of Historical Alloys for Pipe Organs Brings True Baroque Music Back to Life

Published online by Cambridge University Press:  31 January 2011

Get access

Abstract

The pipe organ is the king of musical instruments. No other instrument can compare with the pipe organ in power, timbre, dynamic range, tonal complexity, and sheer majesty of sound. The art of organ building reached its peak in the Baroque Age (∼1600–1750); with the industrial revolution in the 19th century, organ building shifted from a traditional artisans' work to factory production, changing the aesthetic concept and design of the organ so that the profound knowledge of the organ masters passed down over generations was lost.

This knowledge is being recreated via close collaborations between research scientists, musicians, and organ builders throughout Europe. Dozens of metallic samples taken from 17th- to 19th-century organ pipes have been investigated to determine their composition, microstructure, properties, and manufacturing processes using sophisticated methods of materials science. Based upon these data, technologies for casting, forming, hammering, rolling, filing, and annealing selected leadtin pipe alloys and brass components for reed pipes have been reinvented and customized to reproduce those from characteristic time periods and specific European regions. The new materials recreated in this way are currently being processed and used by organ builders for the restoration of period organs and the manufacture of new organs with true Baroque sound.

Type
Research Article
Copyright
Copyright © Materials Research Society 2007

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1.Clarke, T., Nature 427 (2004) p. 8.CrossRefGoogle Scholar
2.Yokota, M., The Overtornea Project, edited by Ericsson, L.W. (Musikhogskolan i Pitea, Pitea, Sweden, 1997).Google Scholar
3.Audsley, G.A., The Art of Organ Building (Dover, Mineola, NY, 1965).Google Scholar
4.Speerstra, J., ed., The North German Organ Research Project at Göteborg University (GOArt, Gothenburg, Sweden, 2002).Google Scholar
5.Carlsson, A., Davidsson, H., Ruiter-Feenstra, P., Dunthorne, S., and Speerstra, J., Tracing the Organ Masters’ Secrets: The Vision, The Process, The Goal, The Reconstruction of the North German Baroque Organ for Örgryte Nya Kyrka (GOArt, Gothenburg, Sweden, 2000).Google Scholar
6.Svensson, P. and Friesel, M., Influence of alloy composition, mechanical treatment and casting technique on loss factor and Young's modulus of leadtin alloys (Chalmers University of Technology, Gothenburg, Sweden, 1999).Google Scholar
7.Straumal, B., Mazilkin, A., Manescu, A., Rustichelli, F., Friesel, M., and Baretzky, B., Wiederaufbau der Casparini Orgel in Vilnius, edited by Gucas, R. (University of Vilnius, Vilnius, Lithuania, 2007).Google Scholar
8.Forshell, H., The inception of copper mining in Falun (Akademitryck AB, Edsbruk, Sweden, 1992).Google Scholar
9.Alexander, W.O., Murex Rev. 1 (1955) p. 1.Google Scholar
10.Massalski, T.B., ed. Binary alloy phase diagrams (ASM International, Materials Park, OH, 1993).Google Scholar
11.Percy, J., Metallurgy: The art of extracting metals from their ores, and adapting them to various purposes of manufacture (John Murray, London, 1864).Google Scholar
12.Jenkins, Rh., Trans. Bristol Gloucestershire Arch. Soc. 63 (1946) p. 1.Google Scholar
13.Agricola, G., De re metallica libri XII (Froben, Basel, 1556).Google Scholar
14.Gallon, J.-G. and du Monceau, H.L. Duhamel, Die Kunst Messing zu machen, es in Tafeln zu gießen, auszuschmieden, und zu Drathe zu ziehen (Akademie der Wissenschaften zu Paris, Leipzig, 1766).Google Scholar
15. Dom François Bedos de Celles, L'art du facteur d'orgues (Académie Royale des Sciences, Bordeaux, 1766).Google Scholar
16.Straumal, B.B., Polyakov, S.A., and Mittemeijer, E.J., Acta Mater. 54 (2006) p. 167.CrossRefGoogle Scholar
17.Baretzky, B., Friesel, M., Petelin, A., Mazilkin, A., and Straumal, B., Def. Diff. Forum 249 (2006) p. 275.CrossRefGoogle Scholar
18.Baretzky, B., Friesel, M., Petelin, A., Shotanov, A., and Straumal, B., Def. Diff. Forum 258–260 (2006) p. 397.Google Scholar