Hostname: page-component-77c89778f8-fv566 Total loading time: 0 Render date: 2024-07-17T15:37:07.802Z Has data issue: false hasContentIssue false

Dürer's magic tesseract

Published online by Cambridge University Press:  23 January 2015

Anthony Sudbery*
Affiliation:
Department of Mathematics, University of York, Heslington, York YO10 5DD, e-mail:tony.sudbery@york.ac.uk

Extract

Albrecht Dürer's mysterious engraving Melencolia I (Figure 1) has always intrigued both art critics and mathematicians. Among art critics, according to Campbell Dodgson [1], “The literature on the Melancholia is more extensive than that on any other engraving by Dürer” (he adds “the statement would probably remain true if the last two words were omitted”). Mathematicians, if disconcerted by the association between mathematics and melancholy, have been fascinated by the objects appearing in the print, such as the polyhedron occurring on the left of the engraving and—the subject of this note—the magic square in the upper right-hand corner (Figure 2).

Type
Articles
Copyright
Copyright © The Mathematical Association 2013

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1. Dodgson, C., Albrecht Dürer, Medici Society, London (1926).Google Scholar
2. Clifford, A. Pickover, The Zen of magic squares, circles and stars, Princeton University Press (2003).Google Scholar
3. Ollerenshaw, K. and Bondi, H., Magic squares of order 4, Phil. Trans. Roy. Soc. Lond. A, 302 (1986) pp. 443453.Google Scholar