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Hebrew Recitative-Types in Hungary
Published online by Cambridge University Press: 07 March 2019
Extract
The paper was introduced by a short historical survey of Jewry in Hungary from Roman times until 1944, when a great part of the Jews was displaced and annihilated. Attention was called to three aspects of their musical traditions.
(1) Their liturgical service representing a local fusion of the Ashkenazic rite of Eastern Middle Europe, which since the middle of the nineteenth century was supplanted by the so-called Sulzerian Viennese reform-liturgy.
(2) The family ceremonies in which Jewry preserved many more original traits, fairly rich local variants, peculiar lection- and blessing-types, archaic-primitive ditties, tritonic and pentatonic patterns and also a signal- or fanfare-like intonation, connected with certain public functions.
(3) The secular melodies which were influenced by Eastern European and also by Hungarian folk songs and dance melodies; in this respect they remind one of analogous phenomena in the cultural history of the Spanish, Italian and German Jews.
- Type
- Liturgies of Orient and Occident
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- Copyright
- Copyright © International Council for Traditional Music 1964