As a supplement to the description and discussion of the Temple itself, a few words must be added as to the movable antiquities found upon its site. This is a section that we might have hoped to prove rich in treasures and full of interest. But all such hopes were destined to be disappointed, from what reason it is not now easy to discover. At Tochni, at Cyprus, is a well, into which tradition says St. Helena cast all the devils in the island; does this mean that the statues of ‘heathen gods’ were thrown in it? Perhaps at Paphos too, some zealous iconoclast may have similarly striven to abolish all the sacred objects of ancient worship—or perhaps mere considerations of gain or utility may have led to a most complete destruction. So we might easily account for the disappearance of all bronze statues: stories of the discovery of such linger about the neighbourhood. But it is harder to account for the vanishing of all the marble statues that probably were once here. We can hardly suppose that the absence of suitable marble in the island can have led to the exclusive use of bronze except for small works: offerings were brought to Paphos from all quarters of the ancient world. And if any marble statues ever existed, we should expect to find portions of them built into houses and walls, even if they were mostly reduced to lime. Why should inscriptions have been so much more fortunate? The preponderant use of bronze, shown by the bases, may serve in part as an explanation, but it seems necessary also to assume some general destruction of statues such as would probably have taken place if the worship were forcibly suppressed. The sacred cone itself has totally disappeared.