Hostname: page-component-848d4c4894-nr4z6 Total loading time: 0 Render date: 2024-05-14T00:29:45.441Z Has data issue: false hasContentIssue false

Thinking and Writing Truth. Rahel Levin Varnhagen's ‘Diaries’ and Philosophical Notes

Published online by Cambridge University Press:  01 July 2022

Martina Wernli*
Affiliation:
University of Frankfurt, Germany
Get access

Abstract

This paper collects some of Rahel Levin Varnhagen's thinking about truth. It aims to contextualize Levin Varnhagen's non-conventional writing within German Romanticism. Her so-called ‘diaries’ vary between aphorisms, personal reflections, problem-oriented sketches and apodictic definitions concerning anthropology and society. Truth and honesty are shaped in opposition to lies but also build a base for the process of thinking itself. According to Levin Varnhagen, truth leads to the real quality of things and towards understanding—thinking truth is an epistemic process. The paper follows Levin Varnhagen's quest for and definition of truth by re-reading her diaries as philosophical practice. Thematizing the possibilities of critical female thought by a (Jewish) woman of the early nineteenth century (with a ‘twice incorrect name’, as Barbara Hahn has put it) and the restrictions in education and publishing, the paper addresses furthermore intersectional questions of gender and religion.

Type
Research Article
Copyright
Copyright © The Author(s), 2022. Published by Cambridge University Press on behalf of The Hegel Society of Great Britain

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Becker, S. (ed.) (2001), Rahel Levin Varnhagen. Studien zu ihrem Werk im zeitgenössischen Kontext. St. Ingbert: Röhring Universitätsverlag.Google Scholar
Becker-Cantarino, B. (2000), Schriftstellerinnen der Romantik. Epoche—Werke—Wirkung. Munich: Beck.Google Scholar
Beiser, F. C. (2020), Romantic Antisemitism, in Forster, M. N. and Steiner, L. (eds.), Romanticism, Philosophy, and Literature. Cham: Palgrave/Springer.Google Scholar
Brinker-Gabler, G. (1988), Deutsche Literatur von Frauen. Zweiter Band. 19. und 20. Jahrhundert. Munich: Beck.Google Scholar
Ciragan, L. (2009), Konversion(en). Performanz und Tradierung bei Rahel Levin/Varnhagen. Munich: Fink.CrossRefGoogle Scholar
Deiulio, L. (2007), The Voice of the schöne Seele: Rahel Levin Varnhagen and Pauline Wiesel as Readers of Weimar Classicism. Bern: Peter Lang.Google Scholar
Deiulio, L. (2019), ‘The Correspondence of Rahel Levin Varnhagen and Ludwig Robert. Epistolary Writing as a Space for Symphilosophieren’, in Deiulio, L. and Lyon, J. B. (eds.), Gender, Collaboration, and Authorship in German Culture. Literary Joint Ventures, 1750-1850. New York: Bloomsbury.Google Scholar
Deiulio, L. (2021), ‘“A Portrait of the Moment”: Rahel Levin Varnhagen's Letters at the Boundary of Life Writing’, in Herges, K. and Krimmer, E. (eds.), Contested Selves. Life Writing and German Culture. Rochester NY: Camden House.Google Scholar
Fuchs, R. (2020), ‘“Sie hat den Gegenstand”: Rahel Levin Varnhagen's Subliminal Dialogue with Goethe’, Goethe Yearbook XXVII, ed. Simpson, P. A. and Tautz, B.. Rochester NY: Camden House.Google Scholar
Hahn, B. (ed.) (1990a), Im Schlaf bin ich wacher’. Die Träume der Rahel Levin Varnhagen. Frankfurt: Luchterhand.Google Scholar
Hahn, B. (1990b), ‘Antworten Sie mir!’ Rahel Levin Varnhagens Briefwechsel. Basel: Stroemfeld/Roter Stern.Google Scholar
Hahn, B. (1991), Unter falschem Namen. Von der schwierigen Autorschaft der Frauen. Frankfurt: Suhrkamp.Google Scholar
Hahn, B. (ed.) (2011), Rahel. Ein Buch des Andenkens für ihre Freunde. Vol. 6. Göttingen: Wallstein.Google Scholar
Hahn, B. (2021), ‘Nachwort’, in Levin Varnhagen, R., Briefwechsel mit Jugendfreundinnen. Göttingen: Wallstein.Google Scholar
Henke, D. (forthcoming), ‘“Sehen Sie, so schrieb’ ich, wenn ich mich gehen ließe: darum schreibe ich nicht.” Versuch über Rahel Levin Varnhagens subversive Teilhabe und Bedeutung innerhalb zeitgenössischer Diskurskontexte.’Google Scholar
Hertz, D. (2007), How Jews Became Germans. The History of Conversion and Assimilation in Berlin. New Haven/London: Yale University Press.Google Scholar
Isselstein, U. (1993), Der Text aus meinem beleidigten Herzen. Studien zu Rahel Levin Varnhagen. Torino: Tirrenia Stampatori.Google Scholar
Kruschwitz, H. (2019), ‘“Diese Woche habe ich erfunden, was ein Paradox ist”. Rahel als Jüdin und Fichtianerin’, in Jahrbuch des Freien Deutschen Hochstifts 2018, ed. Bohnenkamp, A.. Göttingen: Wallstein Verlag.Google Scholar
Lamping, D. (2021), Rahel Varnhagen. Ich lasse das Leben auf mich regnen. Berlin: ebersbach & simon.Google Scholar
Lund, H. L. (2012), Der Berliner ‘jüdische Salon’ um 1800: Emanzipation in der Debatte. Berlin/New York: de Gruyter.CrossRefGoogle Scholar
Needler, G. H. (ed.) (1939), Letters of Anna Jameson to Ottilie von Goethe. London: Oxford University Press.Google Scholar
Schultz, H. (1997), Salons der Romantik, Beiträge eines Wiepersdorfer Kolloquiums zu Theorie und Geschichte des Salons. Berlin/New York: de Gruyter.CrossRefGoogle Scholar
Varnhagen von Ense, R. (2001), Ich will noch leben, wenn man's liest’. Journalistische Beiträge aus den Jahren 1812-1829, ed. Kinskofer, L.. Frankfurt: Peter Lang.Google Scholar
Weigert, A. (2016), ‘Gender and Genre in the Works of German Romantic Women Writers’, in Hamilton, P. (ed.), The Oxford Handbook of European Romanticism. DOI: 10.1093/oxfordhb/9780199696383.001.0001.Google Scholar