Hostname: page-component-77c89778f8-gq7q9 Total loading time: 0 Render date: 2024-07-16T14:40:39.361Z Has data issue: false hasContentIssue false
  • English
  • Français

Dietrich Bartel, Musica Poetica. Lincoln, Nebraska, University of Nebraska Press. 1997. xv + 471 pp.

Published online by Cambridge University Press:  05 December 2008

John Butt
John Butt
Affiliation:
King's College, Cambridge
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Reviews
Information
Early Music History , Volume 18 , October 1999 , pp. 398 - 404
Copyright
Copyright © Cambridge University Press 1999

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 Schering, Arnold, ‘Die Lehre von den musikalischen Figuren im 17. und 18.Jahrhundert’, Kirchenmusikalisches Jahrbuch, 21 (1908), pp. 106–14.Google Scholar

2 The most significant authors are Heinz Brandes, Willibald Gurlitt, Arnold Schmitz and Hans-Heinrich Unger; see Bartels, , Musica Poetica, p. viii n. 2, for details.Google Scholar

3 ‘Rhetoric and Music’, New Grove Dictionary of Music and Musicians, ed. Sadie, Stanley (London, 1980), XV, pp. 793–803.Google Scholar

4 Bartel, Dietrich, Handbuch der musikalischen Figurenlehre (Laaber, 1985).Google Scholar

5 See my Music Education and the Art of Performance in the German Baroque (Cambridge, 1994), esp. pp. 121–65.Google Scholar

6 This point is strongly made by Forchert, Arno, ‘Musik und Rhetorik im Barock’, Schütz Jahrbuch, 7–8 (1985–1986), pp. 5–21, one of the most perceptive studies of music and rhetoric.Google Scholar