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Coloured Swan: Moya Michael's Prowess in the Face of Fetishization in European Dance

Published online by Cambridge University Press:  23 May 2022

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Abstract

In my ethnographic fieldwork in the contemporary dance scene in Brussels, I followed closely which struggles Moya Michael had to overcome as a South African maker in the European contemporary dance sector trying to sell her work. As a female artist of color, she cannot escape the fetishistic gaze emphasizing her exoticized body, a body imagined as exotic vis-à-vis institutional whiteness. This article examines how the work environment in the continental European contemporary dance sector forms a breeding ground for the fetishization of Afrodiasporic artists. After unpacking the general issues related to identity in the European contemporary dance sector, this article continues to discuss the dance solo Khoiswan, which Michael created in 2018 as the first part of an ongoing series called Coloured Swans. In this choreographic work, Michael centers and explores her multilayered identity on her own terms.

Keywords

Afrofuturismartistic laborcontemporary dancediasporaexoticismidentitynonbinarypostcolonialism
Type
Article
Information
Dance Research Journal , Volume 54 , Issue 1 , April 2022 , pp. 92 - 111
Copyright
Copyright © The Author(s), 2022. Published by Cambridge University Press on behalf of the Dance Studies Association

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