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Choreographic Politics: State Folk Dance Companies, Representation and Power, by Anthony Shay. Middletown, CT: Wesleyan University Press, 2002. xix + 217 pp., illustrations, notes, bibliography, index. $65.00 cloth; $19.95 paper.

Published online by Cambridge University Press:  22 July 2014

Nancy Lee Ruyter
Nancy Lee Ruyter
Affiliation:
University of California, Irvine
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Type
Reviews
Information
Dance Research Journal , Volume 36 , Issue 1: 35/2 Winter 2003 & 36/1 Summer 2004 , Summer 2004 , pp. 200 - 203
Copyright
Copyright © Congress on Research in Dance 2004

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References

Works Cited

Arkin, Lisa C. and Smith, Marian. 1997. “National Dance in the Romantic Ballet.” In Rethinking the Sylph: New Perspectives on the Romantic Ballet. Edited by Garafola, Lynn, 11–68. Hanover, NH: Wesleyan University Press.Google Scholar
Hoerburger, Felix. 1968. “Once Again on the Concept of Folk Dance.” Journal of the International Folk Music Council 20: 30–32.CrossRefGoogle Scholar
Kealiinohomoku, Joann. 1972. “Folk Dance.” In Folklore and Folklife: An Introduction. Edited by Dorson, Richard M., 381–404. Chicago: University of Chicago Press.Google Scholar
Nájera Ramírez, Olga. 1989. “Social and Political Dimensions of Folklorico Dance: The Binational Dialectic of Residual and Emergent Culture.” Western Folklore 48 (January): 15–32.CrossRefGoogle Scholar
Shay, Anthony. 1999. “Parallel Traditions: State Folk Dance Ensembles and Folk Dance in ‘The Field.’” Dance Research Journal 31, no. 1 (Spring): 29–56.CrossRefGoogle Scholar
Thomas, Helen. 1995. Dance, Modernity and Culture: Explorations in the Sociology of Dance. London and New York: Routledge.CrossRefGoogle Scholar