Hostname: page-component-77c89778f8-cnmwb Total loading time: 0 Render date: 2024-07-21T22:22:22.223Z Has data issue: false hasContentIssue false

Screening Subjects: Transnational Dancehall Culture in a Social Media Age

Published online by Cambridge University Press:  02 August 2016

Abstract

Dancehall, a popular dance style originating from downtown Kingston, Jamaica, now circulates across transnational spaces through digital media and postcolonial consumption systems. This presentation will study dancehall in the twenty-first century as an information age space for transcultural production, with a focus on female participation. It will interrogate the authoritative role of the video camera in the scene, and the impact that the use of screens has on the practitioners' cultural, phenomenological, and economic experience. The discussion will analyze the engagement of diversely situated females in relation to questions of mobility, visibility, and power.

Type
Research Article
Copyright
Copyright © Celena Monteiro 2016 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Works Cited

Bordo, Susan. 2003. Unbearable Weight: Feminism, Western Culture, and the Body. Tenth Edition. Los Angeles: University of California Press.CrossRefGoogle Scholar
Cooper, Carolyn. 2004. Sound Clash: Jamaican Dancehall Culture at Large. London: Palgrave Macmillan.CrossRefGoogle Scholar
Gilroy, Paul. 1993. The Black Atlantic: Modernity and Double Consciousness. Cambridge, MA: Harvard University Press.Google Scholar
Hope, Donna. 2010. Man Vibes: Masculinities in the Jamaican Dancehall. Kingston, Jamaica: Ian Randle.Google Scholar
Jones, Simon. 1988. Black Culture, White Youth: The Reggae Tradition from JA to UK. London: Macmillan Education.CrossRefGoogle Scholar
Logaldo, Mara. 2010. “Only the Immigrants Can Speak the Queen's English These Days' but All Kids Have a Jamaican Accent: Overcompensation vs. Urban Slang in Multiethnic London.” In From International to Local English and Back Again, edited by Facchinetti, Roberta, Crystal, David, and Seidlhofer, Barbara, 115146. Bern, Switzerland: Peter Lang International Publishers.Google Scholar
Mulvey, Laura. 1975. “Visual Pleasure and Narrative Cinema.” Screen 16(3): 618.CrossRefGoogle Scholar
Niaah, Sonjah S. 2010. Dancehall: From Slave Ship to Ghetto. Ottawa, Canada: University of Ottawa Press.CrossRefGoogle Scholar
Noble, Denise. 2008. “Postcolonial Criticism, Transnational Identification and the Hegemonies of Dancehall's Academic and Popular Performatives.” Feminist Review 90(1): 106127.CrossRefGoogle Scholar
Dictionaries, Oxford. 2015. “Babylon.” Oxford University Press. http://www.oxforddictionaries.com/definition/english/babylon. Accessed 6 May 2015.Google Scholar
“Pon De Floor.” 2009. Youtube video. July 27. https://www.youtube.com/watch?v=g2nmgcVbfKE. Accessed April 1, 2015.Google Scholar
Sebba, Mark. 2014. London Jamaican: Language Systems in Interaction. London: Longman.CrossRefGoogle Scholar