Hostname: page-component-8448b6f56d-xtgtn Total loading time: 0 Render date: 2024-04-24T19:51:55.164Z Has data issue: false hasContentIssue false
  • English
  • Français

Fantasmata and Presence: A Comparison Between Domenico da Piacenza (1455) and Simona Bertozzi

Published online by Cambridge University Press:  02 August 2016

Carolina Bergonzoni
Get access Rights & Permissions [Opens in a new window]

Abstract

Simona Bertozzi is an Italian dancer, choreographer, and performer based in Bologna, Italy. From 2008 to 2012, she worked on the project Homo Ludens. I propose this project, composed of four performances, as a case study that will investigate the multifaceted term “presence” within the context of dance. As a result of my research, I make an argument that a definition of presence, defined as a tension between motion and stillness, can be founded on Domenico da Piacenza's treatise Dela Arte di Ballare et Danzare (c. 1455).

Type
Research Article
Information
Congress on Research in Dance Conference Proceedings , Volume 2016 , Fall 2016 , pp. 21 - 26
Copyright
Copyright © Carolina Bergonzoni 2016 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Works Cited

Agamben, Giorgio, and Minervini, Amanda. 2013. Nymphs. London: Seagull.Google Scholar
Berthoz, Alain. 2000. The Brain's Sense of Movement. Cambridge, MA: Harvard University Press.Google Scholar
Bertozzi, Simona. Homo Ludens description, English version. Accessed December 10, 2014. http://www.simonabertozzi.it/en/homo-ludens-2/ Google Scholar
Caillois, Roger. 1958. Les Jeux et Les Homes. Paris: Gallimard.Google Scholar
Franko, Mark. 1981. An Intertextual Model for the Interaction of Dancer and Spectator in the Renaissance . PhD dissertation, Columbia University. ProQuest, UMI Dissertations Publishing.Google Scholar
Huizinga, Johan. (1938) 1949. Homo Ludens. London: Routledge & Kegan Paul.Google Scholar
Merleau-Ponty, Maurice. (1945) 2009. Fenomenologia della Percezione. Milano: Bompiani.Google Scholar
Nevile, Jennifer. 2004. The Eloquent Body Dance and Humanist Culture in Fifteenth-Century Italy. Bloomington, IN: Indiana University Press.Google Scholar
Pitozzi, Enrico. 2012. “Figurazioni: uno studio sulle gradazioni di presenza.” On Presence. Culture teatrali 21: 107–127.Google Scholar
Pontremoli, Alessandro. 2011. Danza e Rinascimento. Cultura coreica e buone maniere nella società di corte del XV secolo. Macerata: Ephemeria.Google Scholar
Smith, William. 1995. Fifteenth-Century Dance and Music: Twelve Transcribed Italian Treatises and Collections in the Tradition of Domenico Da Piacenza, Vol. 1. Stuyvesant, NY: Pendragon Press.Google Scholar
Tomassini, Stefano, and Giuliano, Daniela. 2013. Abitare il mondo. Trasmissione e pratiche. Venezia: L'artegrafica.Google Scholar