Hostname: page-component-76fb5796d-r6qrq Total loading time: 0 Render date: 2024-04-26T09:48:06.326Z Has data issue: false hasContentIssue false

Contemporary Dance at University: A Vessel for Creative Engagement with Learning

Published online by Cambridge University Press:  04 January 2013

Abstract

Guiding dancers toward embodied experience, full engagement with their own physicality, awareness, and intention have been constant aims of my teaching over the course of forty years. Do students in the university program where I now teach “get it”? With a current technique class, I have investigated—through journaling and discussion—students' expectations around the “power structure” of dance class, how they perceive their sense of responsibility to their own training, and whether and how they evolve in making passionate choices and engaging deeply with dancing (albeit somewhat subversively) within the academic setting.

Type
Panel: A Dance of Empowerment: Teaching Dance at the Post-Secondary Level
Copyright
Copyright © The Author(s) 2009

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Works Consulted

Brizendine, Louann M.D., 2006. The Female Brain. New York: Broadway.Google Scholar
Dowd, Irene. 1981. Taking Root to Fly: Seven Articles on Functional Anatomy. Northampton, MA: Contact Collaborations.Google Scholar
Hackney, Peggy. 1998. Making Connections: Total Body Integration through Bartenieff Fundamentals. New York: Routledge.Google Scholar
Lewis, Daniel. 1984. The Illustrated Dance Technique of José Limón. New York: Harper and Row.Google Scholar
Pipher, Mary. 1994. Reviving Ophelia: Saving the Selves of Adolescent Girls. New York: G. P. Putnam's Sons.Google Scholar