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The ‘Historiated’ Neolithic Stele of Saint-Samson-sur-Rance (Côtes-d'Armor, France)

Published online by Cambridge University Press:  13 December 2017

Serge Cassen
Affiliation:
Laboratoire de recherches en archéologie et architectures, Université de Nantes, rue de la Censive du Tertre, BP 81227, 44312 Nantes, France Email: serge.cassen@univ-nantes.fr
Valentin Grimaud
Affiliation:
Laboratoire de recherches en archéologie et architectures, Université de Nantes, rue de la Censive du Tertre, BP 81227, 44312 Nantes, France Email: valentin.grimaud@univ-nantes.fr
Laurent Lescop
Affiliation:
École nationale supérieure d'architecture, 6 quai François Mitterrand, 44262 Nantes, France Email: Laurent.lescop@nantes.archi.fr
Hervé Paitier
Affiliation:
INRAP, 37 rue du Bignon, 35577 Cesson-Sévigné, France Email: herve-pierre.paitier@inrap.fr
Carlos Rodríguez-Rellán
Affiliation:
Laboratoire de recherches en archéologie et architectures, Université de Nantes, rue de la Censive du Tertre, BP 81227, 44312 Nantes, France Email: carlos.rellan@fulbrightmail.org
Armand Vinçotte
Affiliation:
Laboratoire Arc'Antique, 26 Rue de la Haute Forêt, 44300 Nantes, France, Email: arcantique.ceramique@loire-atlantique.fr

Abstract

The stone of Saint-Samson is a Neolithic stele of 70 tons and 10 m of probable length. Its intriguing leaning position and its very regular morphology have aroused curiosity since medieval times. Three of its four faces—oriented towards the cardinal points—display engravings that were discovered in the 1970s. Now, a new recording protocol has combined 2D techniques for emphasizing the contrast of the engravings (oblique rotating lights) and 3D methods for restoring the volumes of the support (photogrammetry, structured-light scanner). The results obtained have made it possible to implement the first structural analysis of the stone. The north and west faces show an opposition between domestic (cattle, goats) and wild animals (suidae, cervidae, birds, cetaceans), depicted confronted and with their horns or tusks clearly visible. The south face was reserved for the human figure and for iconic artefacts (polished axe, throwing stick, ring disk, steering oar). The four faces have in common the presence of boats. The relationship linking the monument to waterways and the sea is approached by analysing both local legends and the phenomenon of the tidal wave.

Type
Research Article
Copyright
Copyright © McDonald Institute for Archaeological Research 2017 

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