Hostname: page-component-78c5997874-dh8gc Total loading time: 0 Render date: 2024-11-18T09:13:08.125Z Has data issue: false hasContentIssue false

Learning and teaching breathing and oboe playing: action research in a conservatoire

Published online by Cambridge University Press:  01 July 2007

Helena Gaunt*
Affiliation:
Guildhall School of Music and Drama, Barbican, Silk Street, London EC2Y 8DTHelena.Gaunt@gsmd.ac.uk

Abstract

This paper presents findings from action research in a conservatoire (the Guildhall School of Music & Drama) which focused on teaching and learning effective breathing in playing the oboe. A range of approaches and techniques emerged from a literature review. These were implemented in practice with oboe students at the Guildhall School, and changes in their practice and perceptions of breathing were analysed. Participants' responses to the approaches used were diverse, emphasising individual learning styles. Considerable changes in their breathing practice as oboists were observed, and in addition it was noted that in several cases their approach to learning became more reflective and self-directed.

Type
Research Article
Copyright
Copyright © Cambridge University Press 2007

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Biggs, J. (1999) Teaching for Quality Learning at University. Oxford: Oxford University Press.Google Scholar
Canter, R. (1997) ‘Breathing techniques for oboists’, Double Reed News, Spring, 42–4.Google Scholar
Driscoll, R. (1997) Oboe Student's Desk Reference. Pittsburgh: Robin Driscoll.Google Scholar
Gaunt, H. (2004) ‘Breathing and oboe playing: playing, teaching and learning’, British Journal of Music Education, 21, 313–28.CrossRefGoogle Scholar
Gaunt, H. (2006) Student and teacher perceptions of one-to-one instrumental and vocal tuition in a conservatoire. PhD Thesis, Institute of Education, London University.Google Scholar
Gholson, S. A. (1998) ‘Proximal positioning: a strategy of practice in violin pedagogy’, Journal of Research in Music Education, 46, 535–45.CrossRefGoogle Scholar
Goossens, L. & Roxburgh, E. (1997) Oboe. New York: Schirmer Books.Google Scholar
Green, B. & Gallowey, W. T. (1987) The Inner Game of Music. London: Pan.Google Scholar
Koch, R. J. (1990) The Technique of Oboe Playing: A Collection of the Most Common Practical Exercises for Mastering Problems of Wind Technique. Schott ED7634.Google Scholar
Langford, E. (1999) Mind and Muscle. London: Garant Uitgevers.Google Scholar
McChrystal, G. (1998) ‘Physiological aspects of woodwind playing’, in Woodwind Teaching and Learning: Diploma Course in Music Teaching in the Private Sector. Reading: Reading International Centre for Research in Music Education.Google Scholar
McNiff, J. & Whitehead, J. (2002) Action Research: Principles and Practice. New York: RoutledgeFalmer.CrossRefGoogle Scholar
Myers, T. W. (2001) Anatomy Trains: Myofascial Meridians for Manual and Movement Therapies. London: Livingstone Churchill.Google Scholar
Pay, A. (1996) ‘All that stuff about the diaphragm’, Double Reed News, February, 58.Google Scholar
Ramsden, P. (2003) Learning to Teach in Higher Education. London: Routledge Falmer.CrossRefGoogle Scholar
Reid, A. (2001) ‘Variation in the ways that instrumental and vocal students experience learning music’, Music Education Research, 3, 2540.CrossRefGoogle Scholar
Robinson, J. (1988) ‘Oboists, exhale before playing’, Double Reed, 10, 1619.Google Scholar
Robson, C. (2002) Real World Research. Oxford: Blackwell.Google Scholar
Rothwell, E. (1962) Oboe Technique. London: Oxford University Press.Google Scholar
Rothwell, E. (1974) The Oboist's Companion, vol. 1. Oxford: Oxford University Press.Google Scholar
Sanders, J. (2002a) The Mystery of Madame Tetrazzini . . . Thinking About Breathing, Unpublished report written for music students at the Guildhall School.Google Scholar
Sanders, J. (2002b) ‘Upwardly mobile! . . . more about the breath’, Double Reed News, Autumn, 22–5.Google Scholar
Snell, H. (1997) The Trumpet: Its Practice and Performance, A Guide for Students. Staffordshire: Rakeway Music.Google Scholar
Sogin, D. W. & Vallentine, J. F. (1992) ‘Use of instructional time and repertory diversity in university applied music lessons’, The Quarterly Journal of Music Teaching and Learning, 3, 32–6.Google Scholar
Sprenkle, R. & Ledet, D. (1961) The Art of Oboe Playing. Evanston, IL: Summy-Birchard Publishing Company.Google Scholar
Widmer, S., Conway, A., COHEN, C. & DAVIES, P. (1997) ‘Hyperventilation: a correlate and predictor of debilitating performance anxiety in musicians’, Medical Problems of Performing Artists, 97105.Google Scholar
Williams, G. (1989) ‘The virtues of exercise for the musician’, Double Reed News, August, 1113.Google Scholar
Williams, G. (1999) ‘Taking care of yourself’, Double Reed News, Autumn, 1718.Google Scholar
Wills, G. & Cooper, C. L. (1988) Pressure Sensitive: Popular Musicians under Stress. London: Sage.Google Scholar
Zuber-Skerritt, O. (1996) New Directions in Action Research. London: Falmer.Google Scholar