After 1571 Catholic sacred objects were outlawed in England, and the possession of such objects could be prosecuted under the statute of praemunire. Despite this prohibition sacred objects including rosaries, blessed beads, and the agnus dei (wax pendants blessed by the pope) remained a critical part of Catholic devotion. This article examines the role of the agnus dei in English Catholic communities and the unique political connotations it acquired during the reign of Elizabeth I. It assesses the uses of these sacramentals in Catholic missions to England, their reception amongst Catholics, and the political significance of the agnus dei in light of the papal excommunication of Elizabeth I in 1570.

This article revisits a locus classicus of British Catholic History, the interpretation of the coin-hoard found in 1611 by the Lancashire squire William Blundell of Little Crosby.1 This article offers new information, approaching the Harkirk silver from several perspectives: Mark Blundell offers a memoir of his ancestor William Blundell, as well as lending his voice to the account of the subsequent fate of the Harkirk silver; Professor Jane Stevenson and Professor Peter Davidson reconsider the sources for William Blundell’s historiography as well as considering wider questions of memory and the recusant community; Dr Dora Thornton analyses the silver pyx made from the Harkirk coins in detail, and surveys analogous silverwork in depth.

This article explores the multiple and competing afterlives of the Jacobean martyr, Thomas Maxfield, who was executed at Tyburn in July 1616. It traces the evolution of his cult between the seventeenth and twenty-first centuries by exploring the migration of his relics alongside the movements of the written and printed texts recounting his life and death. It investigates the domestic and international politics in which these textual and material remains circulated and illuminates the making and metamorphosis of social memory in the English Counter Reformation. It sheds fresh light on how Maxfield’s relics served both to bind this imagined community together and to divide and fragment it. Highlighting the interweaving of devotion and scholarship, antiquarianism and piety, it also argues that relic collecting must be recognised as part of the wider contemporary enterprises of religious record-keeping and writing sacred history.

Following the formal proscription of the formation of Catholic religious houses in England in the wake of the Protestant Reformation, English Benedictine communities were established on the Continent from 1606 onwards. At the outbreak of the French Revolution in 1789, there were three independent houses belonging to the English Benedictine Congregation in France. The Revolution presented the English monks with a very real and tangible threat to their existence and securities, introducing a series of decrees that impacted on monastic life greatly. The monks responded to these incursions not by assuming the role of passive victims, or religious refugees caught up in a foreign conflict, but rather showed themselves to be shrewd operators, adept at playing the game of revolutionary politics and by navigating legal niceties. This article will illustrate that the monks’ sophisticated networks of information gathering and sharing allowed them to coordinate more coherent response strategies to the Revolution amongst other British and Irish exiled communities, whilst also permitting themselves to employ a series of delaying tactics. The impact of the monks’ responses to the Revolution, however, extended beyond British and Irish exiles, and impacted directly on the local French populations, through their work in the ‘refractory Church’.

John Henry Newman’s engagement with classical antiquity is one of the less fully researched areas of his work. An examination of Newman’s shifting relationship with the classics sheds valuable light both on his own religious concerns and on broader tensions and trends in Victorian Christian culture. This article initiates three lines of inquiry. First, it examines, one by one, several distinct and competing conceptions of classical pagan antiquity which Newman employed in his writings. Second, it considers Newman’s views on the continuing practical application of classical literature and learning. Third, it looks specifically at the novel Callista, the only book that Newman wrote which is set wholly against the backdrop of the pagan Graeco-Roman world. It may be seen that Newman’s relationship with the classics forms a microcosm of how Victorian Christian society struggled by turns to align itself with and to distance itself from differing visions of classicism and paganism. His works exemplify the diverse ways in which his culture could praise and criticise the classical world.