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Nineteenth Century Wood Engraving: its commercial decline

Published online by Cambridge University Press:  20 September 2016

Jan Conway
Jan Conway*
Affiliation:
Director of Library and Student Services, University for the Creative Arts, Falkner Road, Farnham, Surrey, GU9 7DS, United Kingdom Email: jconway3@ucreative.ac.uk
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Abstract

The use of wood engraving as a method of graphic reproduction for books, periodicals and newspapers continued for a surprisingly long time after the development of photographic methods. End-grain boxwood engraving was a truly Victorian phenomenon and an understanding of the strengths, weaknesses, versatility and limitations of this technique may perhaps best be reached through an exploration of its commercial decline. The period 1860–1900 saw a combination of competing technical, economic and aesthetic demands influencing the development of illustrative processes and eventually led to the end of commercial wood engraving. A form of engraving closer to Bewick's original interpretation of the craft re-emerged through the arts and crafts movement and the establishment of private presses during the inter-war period.

Type
Research Article
Information
Art Libraries Journal , Volume 41 , Issue 4 , October 2016 , pp. 224 - 234
Copyright
Copyright © ARLIS/UK&Ireland 2016 

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References

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